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Today's Stichomancy for Tim Burton

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Pericles by William Shakespeare:

Motion! Well; speak on. Where were you born? And wherefore call'd Marina?

MARINA. Call'd Marina For I was born at sea.

PERICLES. At sea! what mother?

MARINA. My mother was the daughter of a king; Who died the minute I was born, As my good nurse Lychorida hath oft

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Pagan and Christian Creeds by Edward Carpenter:

Protestant or Secularist--whether Christian or Jewish or Persian or Hindu--will in all probability adopt the same blind and blinkered and selfish attitude as that described above, and so disqualify themselves for the great role of world-wide emancipation, which some religion at some time will certainly have to play. It is the same difficulty which is looming large in modern World-politics, where the local selfishness and vainglorious "patriotisms" of the Nations are sadly impeding and obstructing the development of that sense of Internationalism and Brotherhood which is the clearly indicated form of the future, and which alone can


Pagan and Christian Creeds
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Redheaded Outfield by Zane Grey:

half the Denver team made one run by clean hitting.

Then the closely fought advantage see-sawed from one team to the other. It was not a pitchers' battle, though both men worked to the limit of skill and endurance. They were hit hard. Dazzling plays kept the score down and the innings short. Over the fields hung the portent of something to come, every player, every spectator felt the subtle baseball chance; each inning seemed to lead closer and more thrillingly up to the


The Redheaded Outfield
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Emma by Jane Austen:

no one could doubt that a daughter would be most to her; and it would be quite a pity that any one who so well knew how to teach, should not have their powers in exercise again.

"She has had the advantage, you know, of practising on me," she continued--"like La Baronne d'Almane on La Comtesse d'Ostalis, in Madame de Genlis' Adelaide and Theodore, and we shall now see her own little Adelaide educated on a more perfect plan."

"That is," replied Mr. Knightley, "she will indulge her even more than she did you, and believe that she does not indulge her at all. It will be the only difference."

"Poor child!" cried Emma; "at that rate, what will become of her?"


Emma