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Today's Stichomancy for Tim Burton

The first excerpt represents the past or something you must release, and is drawn from On the Origin of Species by Charles Darwin:

naturally lead them to this conclusion. On the contrary, we have every reason to believe, from the study of the tertiary formations, that species and groups of species gradually disappear, one after another, first from one spot, then from another, and finally from the world. Both single species and whole groups of species last for very unequal periods; some groups, as we have seen, having endured from the earliest known dawn of life to the present day; some having disappeared before the close of the palaeozoic period. No fixed law seems to determine the length of time during which any single species or any single genus endures. There is reason to believe that the complete extinction of the species of a group is generally a slower process than their production: if the appearance and


On the Origin of Species
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Garden Party by Katherine Mansfield:

our lives, Jug? It's quite excusable. Let's be weak--be weak, Jug. It's much nicer to be weak than to be strong."

And then she did one of those amazingly bold things that she'd done about twice before in their lives: she marched over to the wardrobe, turned the key, and took it out of the lock. Took it out of the lock and held it up to Josephine, showing Josephine by her extraordinary smile that she knew what she'd done--she'd risked deliberately father being in there among his overcoats.

If the huge wardrobe had lurched forward, had crashed down on Constantia, Josephine wouldn't have been surprised. On the contrary, she would have thought it the only suitable thing to happen. But nothing happened. Only

The third excerpt represents the future or something you must embrace, and is drawn from Riders of the Purple Sage by Zane Grey:

out across the valley to the curling column of blue smoke from their campfire. But the cool shade and the rich grass and the fine view were not what they had climbed for. They could not have told, although whatever had drawn them was well-satisfying. Light, sure-footed as a mountain goat, Bess pattered down at Venters's heels; and they went on, calling the dogs, eyes dreamy and wide, listening to the wind and the bees and the crickets and the birds.

Part of the time Ring and Whitie led the way, then Venters, then Bess; and the direction was not an object. They left the sun-streaked shade of the oaks, brushed the long grass of the


Riders of the Purple Sage