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Today's Stichomancy for Tom Cruise

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Pivot of Civilization by Margaret Sanger:

catastrophic revolution, with the final transformation scene of the Socialist millenium. Presented in ``scientific'' phraseology, with all the authority of economic terms, ``Capital'' appeared at the psychological moment. The heaven of the traditional theology had been shattered by Darwinian science, and here, dressed up in all the authority of the new science, appeared a new theology, the promise of a new heaven, an earthly paradise, with an impressive scale of rewards for the faithful and ignominious punishments for the capitalists.

Critics have often been puzzled by the tremendous vitality of this work. Its prediction s have never, despite the claims of the faithful, been fulfilled. Instead of diminishing, the spirit of

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from King Henry VI by William Shakespeare:

FATHER. How will my wife, for slaughter of my son, Shed seas of tears and ne'er be satisfied!

KING HENRY. How will the country, for these woeful chances, Misthink the king and not be satisfied!

SON. Was ever son so rued a father's death?

FATHER. Was ever father so bemoan'd his son?


The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Othello by William Shakespeare:

Cassio. You aduise me well

Iago. I protest in the sinceritie of Loue, and honest kindnesse

Cassio. I thinke it freely: and betimes in the morning, I will beseech the vertuous Desdemona to vndertake for me: I am desperate of my Fortunes if they check me

Iago. You are in the right: good night Lieutenant, I must to the Watch

Cassio. Good night, honest Iago.

Exit Cassio.

Iago. And what's he then,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Twelve Stories and a Dream by H. G. Wells:

"The vision was so real, you must understand, so utterly unlike a dream that I kept perpetually recalling little irrelevant details; even the ornament of a book-cover that lay on my wife's sewing-machine in the breakfast-room recalled with the utmost vividness the gilt line that ran about the seat in the alcove where I had talked with the messenger from my deserted party. Have you ever heard of a dream that had a quality like that?"


"So that afterwards you remembered little details you had forgotten."

I thought. I had never noticed the point before, but he was right.

"Never," I said. "That is what you never seem to do with dreams."