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Today's Stichomancy for Tom Cruise

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from From London to Land's End by Daniel Defoe:

which way soever I turn; no, though I were to oblige myself to say nothing of anything that had been spoken of before.

I intended once to have gone due west this journey; but then I should have been obliged to crowd my observations so close (to bring Hampton Court, Windsor, Blenheim, Oxford, the Bath and Bristol all into one letter; all those remarkable places lying in a line, as it were, in one point of the compass) as to have made my letter too long, or my observations too light and superficial, as others have done before me.

This letter will divide the weighty task, and consequently make it sit lighter on the memory, be pleasanter to the reader, and make my

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Tono Bungay by H. G. Wells:

Tono-Bungay MAY be--not QUITE so good a find for the world as Peruvian bark, but the point is, George--it MAKES TRADE! And the world lives on trade. Commerce! A romantic exchange of commodities and property. Romance. 'Magination. See? You must look at these things in a broad light. Look at the wood--and forget the trees! And hang it, George! we got to do these things! There's no way unless you do. What do YOU mean to do--anyhow?"

"There's ways of living," I said, "Without either fraud or lying."

"You're a bit stiff, George. There's no fraud in this affair,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Gambara by Honore de Balzac:

Prophet's interviews with the Angel Gabriel (/maestoso sostenuto/ in F Major). The magistrates and priests, power and religion, feeling themselves attacked by the innovator, as Christ and Socrates also attacked effete or worn-out powers and religions, persecute Mahomet and drive him out of Mecca (/stretto/ in C major). Then comes my beautiful dominant (G major, common time). Arabia now harkens to the Prophet; horsemen arrive (G major, E flat, B flat, G minor, and still common time). The mass of men gathers like an avalanche; the false Prophet has begun on a tribe the work he will achieve over a world (G major).

"He promises the Arabs universal dominion, and they believe him


Gambara
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Horse's Tale by Mark Twain:

up, but couldn't, and the soldiers gathered her up like the tenderest women, and their eyes were wet and they were not ashamed, when they saw her arm dangling; and so were Buffalo Bill's, and when they laid her in his arms he said, 'My darling, how does this come?' and she said, 'We came to save you, but I was tired, and couldn't keep awake, and fell off and hurt myself, and couldn't get on again.' 'You came to save me, you dear little rat? It was too lovely of you!' 'Yes, and Soldier stood by me, which you know he would, and protected me from the wolves; and if he got a chance he kicked the life out of some of them - for you know he would, BB.' The sergeant said, 'He laid out three of them, sir, and here's the