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Today's Stichomancy for Tom Hanks

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lucile by Owen Meredith:

XIV.

'Twas the room Of Matilda. The languid and delicate gloom Of a lamp of pure white alabaster, aloft From the ceiling suspended, around it slept soft. The casement oped into the garden. The pale Cool moonlight stream'd through it. One lone nightingale Sung aloof in the laurels. And here, side by side, Hand in hand, the two women sat down undescried, Save by guardian angels.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from This Side of Paradise by F. Scott Fitzgerald:

"Phyllis Styles must be awfully hard up to have to come with those two." That had been Burne, dynamically humorous, fundamentally serious. From that root had blossomed the energy that he was now trying to orient with progress.... So the weeks passed and March came and the clay feet that Amory looked for failed to appear. About a hundred juniors and seniors resigned from their clubs in a final fury of righteousness, and the clubs in helplessness turned upon Burne their finest weapon: ridicule. Every one who knew him liked himbut what he stood for (and he began to stand for more all the time) came under the lash


This Side of Paradise
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Song of Hiawatha by Henry Wadsworth Longfellow:

Through the roof looked Hiawatha, Cried aloud, "O Pau-Puk-Keewis Vain are all your craft and cunning, Vain your manifold disguises! Well I know you, Pau-Puk-Keewis!" With their clubs they beat and bruised him, Beat to death poor Pau-Puk-Keewis, Pounded him as maize is pounded, Till his skull was crushed to pieces. Six tall hunters, lithe and limber, Bore him home on poles and branches,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Running a Thousand Miles for Freedom by William and Ellen Craft:

and slates, &c., and commenced with their new and green pupils. We had, by stratagem, learned the alphabet while in slavery, but not the writing cha- racters; and, as we had been such a time learning so little, we at first felt that it was a waste of time for any one at our ages to undertake to learn to read and write. But, as the ladies were so anx- ious that we should learn, and so willing to teach us, we concluded to give our whole minds to the work, and see what could be done. By so doing, at the end of the three weeks we remained with the


Running a Thousand Miles for Freedom