The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Fables by Robert Louis Stevenson: explained what a cow is in scientific words which I have forgotten.
"That is all one to me," said the stranger. "But why do they never
look up?"
"Because they are graminivorous," said the philosopher; "and to
live upon grass, which is not highly nutritious, requires so close
an attention to business that they have no time to think, or speak,
or look at the scenery, or keep themselves clean."
"Well," said the stranger, "that is one way to live, no doubt. But
I prefer the people with the green heads."
Next they came into a city, and the streets were full of men and
women.
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Intentions by Oscar Wilde: arrangements of lines and masses, and with new and curious colour-
harmonies of blue and green. And it is for this very reason that
the criticism which I have quoted is criticism of the highest kind.
It treats the work of art simply as a starting-point for a new
creation. It does not confine itself - let us at least suppose so
for the moment - to discovering the real intention of the artist
and accepting that as final. And in this it is right, for the
meaning of any beautiful created thing is, at least, as much in the
soul of him who looks at it, as it was in his soul who wrought it.
Nay, it is rather the beholder who lends to the beautiful thing its
myriad meanings, and makes it marvellous for us, and sets it in
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