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Today's Stichomancy for Tom Leykis

The first excerpt represents the past or something you must release, and is drawn from Desert Gold by Zane Grey:

shadows. From that promontory he gazed up at a velvet-blue sky, deep and dark, bright with millions of cold, distant, blinking stars, and he grasped a little of the meaning of infinitude. He gazed down into the shadows, which, black as they were and impenetrable, yet have a conception of immeasurable space.

Then the silence! He was dumb, he was awed, he bowed his head, he trembled, he marveled at the desert silence. It was the one thing always present. Even when the wind roared there seemed to be silence. But at night, in this lava world of ashes and canker, he waited for this terrible strangeness of nature to come to him with the secret. He seemed at once a little child and a strong man,

Desert Gold
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Last War: A World Set Free by H. G. Wells:

June, when the slender asphodel Saint Bruno's lily, with its spike of white blossom, is in flower. To the westward of this delightful shelf there is a deep and densely wooded trench, a great gulf of blue some mile or so in width out of which arise great precipices very high and wild. Above the asphodel fields the mountains climb in rocky slopes to solitudes of stone and sunlight that curve round and join that wall of cliffs in one common skyline. This desolate and austere background contrasts very vividly with the glowing serenity of the great lake below, with the spacious view of fertile hills and roads and villages and islands to south and east, and with the hotly golden rice

The Last War: A World Set Free
The third excerpt represents the future or something you must embrace, and is drawn from Hiero by Xenophon:

They are serious duties,[1] I admit. But still, what strikes me is, if half these grave responsibilities do lend themselves undoubtedly to hatred,[2] the remaining half are altogether gratifying. Thus, to teach others[3] arts of highest virtue, and to praise and honour each most fair performance of the same, that is a type of duty not to be discharged save graciously. Whilst, on the other hand, to scold at people guilty of remissness, to drive and fine and chasten, these are proceedings doubtless which go hand in hand with hate and bitterness.

[1] Cf. "Econ." vii. 41.

[2] Or, "tend indisputably to enmity."

[3] Or, "people," "the learner."