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Today's Stichomancy for Toni Braxton

The first excerpt represents the past or something you must release, and is drawn from Emma McChesney & Co. by Edna Ferber:

chit-chatty indeed. So much so, that T. A. Buck, glancing up from the cards which had preceded them, had difficulty in repressing a frown of annoyance. T. A. Buck, during his college-days, and for a lamentably long time after, had been known as "Beau" Buck, because of his faultless clothes and his charming manner. His eyes had something to do with it, too, no doubt. He had lived down the title by sheer force of business ability. No one thought of using the nickname now, though the clothes, the manner, and the eyes were the same. At the entrance of the three women, he had been engrossed in the difficult task of selling a fall line to Mannie Nussbaum, of Portland, Oregon.


Emma McChesney & Co.
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Damaged Goods by Upton Sinclair:

call themselves representatives of the people. They are not able to find a single hour to discuss these three cruel gods, to which egotism and indifference make every day such frightful human sacrifices. They have not sufficient leisure to combat this ferocious trinity, which destroys every day thousands of lives. Alcoholism! It would be necessary to forbid the manufacture of poisons, and to restrict the number of licenses; but as one has fear of the great distillers, who are rich and powerful, and of the little dealers, who are the masters of universal suffrage, one puts one's conscience to sleep by lamenting the immorality of the working-class, and publishing little pamphlets and sermons.

The third excerpt represents the future or something you must embrace, and is drawn from War and the Future by H. G. Wells:

punctual payments. Probably he has never ventured even to reinvest his little legacy. He is acutely aware of possessing an exceptionally fine intelligence, but he is entirely unconscious of a fundamental unreality. Nothing has ever occurred to him to make him ask why the mass of men were either not possessed of his security or discontented with it. The impulses that took his school friends out upon all sorts of odd feats and adventures struck him as needless. As he grew up he turned with an equal distrust from passion or ambition. His friends went out after love, after adventure, after power, after knowledge, after this or that desire, and became men. But he noted merely that they