| The first excerpt represents the past or something you must release, and is drawn from The Happy Prince and Other Tales by Oscar Wilde: with my own heart's-blood. All that I ask of you in return is that
you will be a true lover, for Love is wiser than Philosophy, though
she is wise, and mightier than Power, though he is mighty. Flame-
coloured are his wings, and coloured like flame is his body. His
lips are sweet as honey, and his breath is like frankincense."
The Student looked up from the grass, and listened, but he could
not understand what the Nightingale was saying to him, for he only
knew the things that are written down in books.
But the Oak-tree understood, and felt sad, for he was very fond of
the little Nightingale who had built her nest in his branches.
"Sing me one last song," he whispered; "I shall feel very lonely
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Egmont by Johann Wolfgang Von Goethe: put down with an iron hand all resistance to his master's will. How terribly
he carried out his orders has been told by Prescott and Motley. Egmont
was an early victim, but his martyrdom, with that of Count Horn, and later
the assassination of William of Orange, roused the Netherlands to a
resistance that ended only with the complete throwing off of the Spanish
yoke.
Such in outline is the background chosen by Goethe for his tragedy. With
many changes in detail, the dramatist has still preserved a picture of a
historical situation of absorbing interest, and has painted a group of
admirable portraits. The drama has long been a favorite on the stage,
where it enjoys the advantage of Beethoven's musical setting.
Egmont |
The third excerpt represents the future or something you must embrace, and is drawn from The Three Musketeers by Alexandre Dumas: order that he might have nothing to reproach himself with, he
directed his steps, for the last time, toward the residences of
his three friends. No news had been received of them; only a
letter, all perfumed and of an elegant writing in small
characters, had come for Aramis. D'Artagnan took charge of it.
Ten minutes afterward Planchet joined him at the stables of the
Hotel des Gardes. D'Artagnan, in order that there might be no
time lost, had saddled his horse himself.
"That's well," said he to Planchet, when the latter added the
portmanteau to the equipment. "Now saddle the other three
horses."
The Three Musketeers |
