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Today's Stichomancy for Ulysses S. Grant

The first excerpt represents the past or something you must release, and is drawn from Virginibus Puerisque by Robert Louis Stevenson:

architecture of the brain, which is indeed to the sense of the beautiful as the eye or the ear to the sense of hearing or sight. We admire splendid views and great pictures; and yet what is truly admirable is rather the mind within us, that gathers together these scattered details for its delight, and makes out of certain colours, certain distributions of graduated light and darkness, that intelligible whole which alone we call a picture or a view. Hazlitt, relating in one of his essays how he went on foot from one great man's house to another's in search of works of art, begins suddenly to triumph over these noble and wealthy owners, because he was

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Running a Thousand Miles for Freedom by William and Ellen Craft:

man indignantly replied, "I am no slave-hunter; and as far as I am concerned everybody must look after their own niggers." He went off and left the confused invalid to fancy whatever he felt in- clined. My master at first thought I must have been kidnapped into slavery by some one, or left, or perhaps killed on the train. He also thought of stopping to see if he could hear anything of me, but he soon remembered that he had no money. That night all the money we had was consigned to my own pocket, because we thought, in case there


Running a Thousand Miles for Freedom
The third excerpt represents the future or something you must embrace, and is drawn from The Case of The Lamp That Went Out by Grace Isabel Colbron and Augusta Groner:

position. Are you sure of what you are saying?" The commissioner's excitement rendered him almost inarticulate. The shock of the surprise occasioned by the detective's words produced a feeling of irritation ... a phenomenon not unusual in the minds of worthy but pedantic men of affairs when confronted by a startling new thought.

"I am quite sure of what I am saying, sir. I have just heard the confession of one who might be called an accomplice of the murderer."

"It is incredible ... incredible! An accomplice you say? ... who is this accomplice? Might it not be some one who has a grudge against Thorne - some one who is trying to purposely mislead you ?"

"I am not so easily deceived or misled, sir. Every evidence points