|The first excerpt represents the past or something you must release, and is drawn from Shadow out of Time by H. P. Lovecraft:
badly my experience had shaken me. Though perfectly sane - I hoped
- and with no flaw in my original personality, I had not the nervous
energy of the old days. Vague dreams and queer ideas continually
haunted me, and when the outbreak of the World War turned my mind
to history I found myself thinking of periods and events in the
oddest possible fashion.
My conception of time, my ability to
distinguish between consecutiveness and simultaneousness - seemed
subtly disordered so that I formed chimerical notions about living
in one age and casting one's mind all over etenity for knowledge
of past and future ages.
Shadow out of Time
|The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Ebb-Tide by Stevenson & Osbourne:
night, set off to look for Sullens. I had not far to go: about
two hundred yards up the island, the moon showed him to me. He
was hanging in a cocoa palm--I'm not botanist enough to tell you
how--but it's the way, in nine cases out of ten, these natives
commit suicide. His tongue was out, poor devil, and the birds
had got at him; I spare you details, he was an ugly sight! I gave
the business six good hours of thinking in this verandah. My
justice had been made a fool of; I don't suppose that I was ever
angrier. Next day, I had the conch sounded and all hands out
before sunrise. One took one's gun, and led the way, with
Obsequiousness. He was very talkative; the beggar supposed
|The third excerpt represents the future or something you must embrace, and is drawn from The Gods of Mars by Edgar Rice Burroughs:
we were slowing up to stop at the landing above, so rapid
was our ascent of the long shaft.
When we emerged from the little building which houses
the upper terminus of the elevator, we found ourselves
in the midst of a veritable fairyland of beauty.
The combined languages of Earth men hold no words to
convey to the mind the gorgeous beauties of the scene.
One may speak of scarlet sward and ivory-stemmed trees
decked with brilliant purple blooms; of winding walks paved
with crushed rubies, with emerald, with turquoise, even with
diamonds themselves; of a magnificent temple of burnished
The Gods of Mars