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Today's Stichomancy for Uma Thurman

The first excerpt represents the past or something you must release, and is drawn from Silas Marner by George Eliot:

thrown into the embarrassment of being obliged absolutely to decline her when she seemed to be within his reach. He fled to his usual refuge, that of hoping for some unforeseen turn of fortune, some favourable chance which would save him from unpleasant consequences-- perhaps even justify his insincerity by manifesting its prudence. And in this point of trusting to some throw of fortune's dice, Godfrey can hardly be called specially old-fashioned. Favourable Chance, I fancy, is the god of all men who follow their own devices instead of obeying a law they believe in. Let even a polished man of these days get into a position he is ashamed to avow, and his mind will be bent on all the possible issues that may deliver him


Silas Marner
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Gambara by Honore de Balzac:

performing his music; he made a tenor of the former, and transformed the latter into a bass. At that time Germany had no musician excepting Sebastian Bach.--But you, monsieur, though you are so young," Gambara added, in the humble tone of a man who expects to find his remarks received with scorn or ill-nature, "must have given much time to the study of these high matters of art; you could not otherwise explain them so clearly."

This word made many of the hearers smile, for they had understood nothing of the fine distinctions drawn by Andrea. Giardini, indeed, convinced that the Count had been talking mere rhodomontade, nudged him with a laugh in his sleeve, as at a good joke in which he


Gambara
The third excerpt represents the future or something you must embrace, and is drawn from Shakespeare's Sonnets by William Shakespeare:

That he shall never cut from memory My sweet love's beauty, though my lover's life: His beauty shall in these black lines be seen, And they shall live, and he in them still green.

LXIV

When I have seen by Time's fell hand defac'd The rich-proud cost of outworn buried age; When sometime lofty towers I see down-raz'd, And brass eternal slave to mortal rage; When I have seen the hungry ocean gain Advantage on the kingdom of the shore,