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Today's Stichomancy for Umberto Eco

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Confidence by Henry James:

You see I take advantage of your being here--I 've got so many things to say. I have n't spoken a word in three days, and I 'm sure it is a pleasant change--a gentleman's visit. All of a sudden we have gone into mourning; I 'm sure I don't know who 's dead. Is it Mr. Gordon Wright? It 's some idea of Mrs. Vivian's--I 'm sure it is n't mine. She thinks we have been often enough to the Kursaal. I don't know whether she thinks it 's wicked, or what. If it 's wicked the harm 's already done; I can't be any worse than I am now. I have seen all the improper people and I have learnt all their names; Captain Lovelock has told me their names, plenty of times.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Turn of the Screw by Henry James:

"But if I had, by your idea, gone out--?"

She absolutely declined to be puzzled; she turned her eyes to the flame of the candle as if the question were as irrelevant, or at any rate as impersonal, as Mrs. Marcet or nine-times-nine. "Oh, but you know," she quite adequately answered, "that you might come back, you dear, and that you HAVE!" And after a little, when she had got into bed, I had, for a long time, by almost sitting on her to hold her hand, to prove that I recognized the pertinence of my return.

You may imagine the general complexion, from that moment, of my nights. I repeatedly sat up till I didn't know when; I selected moments when my roommate unmistakably slept, and, stealing out, took noiseless turns

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Pupil by Henry James:

the staircase and the portier was hateful - and passed the next four months in blank indigence.

The better part of this baffled sojourn was for the preceptor and his pupil, who, visiting the Invalides and Notre Dame, the Conciergerie and all the museums, took a hundred remunerative rambles. They learned to know their Paris, which was useful, for they came back another year for a longer stay, the general character of which in Pemberton's memory to-day mixes pitiably and confusedly with that of the first. He sees Morgan's shabby knickerbockers - the everlasting pair that didn't match his blouse and that as he grew longer could only grow faded. He remembers the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Message by Honore de Balzac:

at table. He had eaten pretty nearly all the dinner, to the huge delight of his little daughter; the child was smiling at her father's flagrant infraction of the Countess' rules. The man's odd indifference was explained to me by a mild altercation which at once arose with the canon. The Count was suffering from some serious complaint. I cannot remember now what it was, but his medical advisers had put him on a very severe regimen, and the ferocious hunger familiar to convalescents, sheer animal appetite, had overpowered all human sensibilities. In that little space I had seen frank and undisguised human nature under two very different aspects, in such a sort that there was a certain