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Today's Stichomancy for Umberto Eco

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Augsburg Confession by Philip Melanchthon:

What, then, are we to think of the Sunday and like rites in the house of God? To this we answer that it is lawful for bishops or pastors to make ordinances that things be done orderly in the Church, not that thereby we should merit grace or make satisfaction for sins, or that consciences be bound to judge them necessary services, and to think that it is a sin to break them without offense to others. So Paul ordains, 1 Cor. 11, 5, that women should cover their heads in the congregation, 1 Cor. 14, 30, that interpreters be heard in order in the church, etc.

It is proper that the churches should keep such ordinances for

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Tenant of Wildfell Hall by Bronte Sisters:

for she was not there: but there was her desk left open on the little round table beside the high-backed chair, with a book laid upon it. Her limited but choice collection of books was almost as familiar to me as my own; but this volume I had not seen before. I took it up. It was Sir Humphry Davy's 'Last Days of a Philosopher,' and on the first leaf was written, 'Frederick Lawrence.' I closed the book, but kept it in my hand, and stood facing the door, with my back to the fire-place, calmly waiting her arrival; for I did not doubt she would come. And soon I heard her step in the hall. My heart was beginning to throb, but I checked it with an internal rebuke, and maintained my composure - outwardly


The Tenant of Wildfell Hall
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Sanitary and Social Lectures by Charles Kingsley:

giving the workmen dwellings fit for a virtuous and a civilised being, and like the priest of old, stand between the living and the dead, that the plague may be stayed.

Hardly less is the present physical state of our great cities felt by that numerous class which is, next to the employer, the most important in a city. I mean the shopmen, clerks, and all the men, principally young ones, who are employed exclusively in the work of distribution. I have a great respect, I may say affection, for this class. In Bristol I know nothing of them; save that, from what I hear, the clerks ought in general to have a better status here than in most cities. I am told that it is the practice here

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from 20,000 Leagues Under the Sea by Jules Verne:

At that moment--(ought I to attribute it to some peculiar idiosyncrasy)-- I felt so great a heat that I was obliged to take off my coat. It was strange, for we were under low latitudes; and even then the Nautilus, submerged as it was, ought to experience no change of temperature. I looked at the manometer; it showed a depth of sixty feet, to which atmospheric heat could never attain.

I continued my work, but the temperature rose to such a pitch as to be intolerable.

"Could there be fire on board?" I asked myself.

I was leaving the saloon, when Captain Nemo entered; he approached the thermometer, consulted it, and, turning to me, said:


20,000 Leagues Under the Sea