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Today's Stichomancy for Umberto Eco

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Cavalry General by Xenophon:

other times, if the pack be strong enough to make light of the guardians of a flock, they will marshal their battalions, as it were, some to drive off the guard and others to effect the capture, and so by stealth or fair fight they provide themselves with the necessaries of life. I say, if dumb beasts are capable of conducting a raid with so much sense and skill, it is hard if any average man cannot prove himself equally intelligent with creatures which themselves fall victims to the craft of man.

[19] e.g. defiles, bridges, outposts, stores, etc.

[20] e.g. a line of outposts, troops in billets or bivouac, etc.

[21] "It is a maxim, the quarry should be weaker than the pursuer."

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Cratylus by Plato:

hearer rejoice together in their newly-discovered faculty. At first there would be few such cries, and little danger of mistaking or confusing them. For the mind of primitive man had a narrow range of perceptions and feelings; his senses were microscopic; twenty or thirty sounds or gestures would be enough for him, nor would he have any difficulty in finding them. Naturally he broke out into speech--like the young infant he laughed and babbled; but not until there were hearers as well as speakers did language begin. Not the interjection or the vocal imitation of the object, but the interjection or the vocal imitation of the object understood, is the first rudiment of human speech.

After a while the word gathers associations, and has an independent

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Through the Looking-Glass by Lewis Carroll:

visit is to say "How d'ye do?" and shake hands!' And here the two brothers gave each other a hug, and then they held out the two hands that were free, to shake hands with her.

Alice did not like shaking hands with either of them first, for fear of hurting the other one's feelings; so, as the best way out of the difficulty, she took hold of both hands at once: the next moment they were dancing round in a ring. This seemed quite natural (she remembered afterwards), and she was not even surprised to hear music playing: it seemed to come from the tree under which they were dancing, and it was done (as well as she could make it out) by the branches rubbing one across the other,


Through the Looking-Glass
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Paz by Honore de Balzac:

his face the signs of pain which come of inward strength and secret endurance of sorrow. He wore one of those tight, frogged overcoats which were then called "polonaise." Thick, black hair, rather unkempt, covered his square head, and Clementine noticed his broad forehead shining like a block of white marble, for Paz held his visored cap in his hand. The hand itself was like that of the Infant Hercules. Robust health flourished on his face, which was divided by a large Roman nose and reminded Clementine of some handsome Transteverino. A black silk cravat added to the martial appearance of this six-foot mystery, with eyes of jet and Italian fervor. The amplitude of his pleated trousers, which allowed only the tips of his boots to be seen, revealed his