The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Figure in the Carpet by Henry James: humming an air - into the smoking-room. I took my way in some
dejection to bed; but in the passage I encountered Mr. Vereker, who
had been up once more to change, coming out of his room. HE was
humming an air and had on a spotted jacket, and as soon as he saw
me his gaiety gave a start.
"My dear young man," he exclaimed, "I'm so glad to lay hands on
you! I'm afraid I most unwittingly wounded you by those words of
mine at dinner to Miss Poyle. I learned but half an hour ago from
Lady Jane that you're the author of the little notice in THE
MIDDLE."
I protested that no bones were broken; but he moved with me to my
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Man against the Sky by Edwin Arlington Robinson: This weary jangling of conjoined affairs
Made out of elements that have no end,
And all confused at once, I understand,
Is not what makes a man to live forever.
O no, not now! He'll not be going now:
There'll be time yet for God knows what explosions
Before he goes. He'll stay awhile. Just wait:
Just wait a year or two for Cleopatra,
For she's to be a balsam and a comfort;
And that's not all a jape of mine now, either.
For granted once the old way of Apollo
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The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Taras Bulba and Other Tales by Nikolai Vasilievich Gogol: before them all. Yet they were not obliged to part at once: they would
have to wait until night in order not to let the Lyakhs perceive the
diminution in the Cossack army. Then all went off, by kurens, to dine.
After dinner, all who had the prospect of the journey before them lay
down to rest, and fell into a deep and long sleep, as though
foreseeing that it was the last sleep they should enjoy in such
security. They slept even until sunset; and when the sun had gone down
and it had grown somewhat dusky, began to tar the waggons. All being
in readiness, they sent the waggons ahead, and having pulled off their
caps once more to their comrades, quietly followed the baggage train.
The cavalry, without shouts or whistles to the horses, tramped lightly
 Taras Bulba and Other Tales |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Polly of the Circus by Margaret Mayo: ministry, the boy was less enthusiastic than his mother. He did
not remonstrate, however, for it had been the custom of
generations for at least one son of each Douglas family to preach
the gospel of Calvinism, and his father's career as an architect
and landscape gardener had not left him much capital.
Douglas, senior, had been recognised as an artist by the few who
understood his talents, but there is small demand for the builder
of picturesque houses in the little business towns of the Middle
West, and at last he passed away, leaving his son only the burden
of his financial failure and an ardent desire to succeed at the
profession in which his father had fared so badly. The hopeless,
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