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Today's Stichomancy for Vidal Sassoon

The first excerpt represents the past or something you must release, and is drawn from A Treatise on Parents and Children by George Bernard Shaw:

we dare not until our streets become safe places for children, which, to our utter shame, they are not at present, though they can hardly be worse than some homes and some schools.

The grotesque difficulty of making even a beginning was brought home to me in the little village in Hertfordshire where I write these lines by the lady of the manor, who asked me very properly what I was going to do for the village school. I did not know what to reply. As the school kept the children quiet during my working hours, I did not for the sake of my own personal convenmence want to blow it up with dynamite as I should like to blow up most schools. So I asked for guidance. "You ought to give a prize," said the lady. I asked if

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Koran:

thee they say, 'We had taken care for our affair before;' and they turn their backs and they are glad.

Say, 'Nought shall befall us save what God has written down for us; He is our Lord, and upon God believers do rely!'

Say, 'Do ye await for us aught but one of the two best things?' we too await for you that God will inflict on you torment from Himself, or by our hands. Wait then; and we with you are waiting too!

Say, 'Expend ye in alms, whether ye will or no, it shall not be accepted from you; verily, ye are a people who do work abomination.'

But nought hinders their alms-giving from being accepted save that they misbelieve in God and His Apostle, and perform not prayer save

The Koran
The third excerpt represents the future or something you must embrace, and is drawn from One Basket by Edna Ferber:

not look comic.

"I'm crazy about her," said Eugene. "We're crazy about each other. We're going to be married."

Aunt Sophy listened for the reassuring sound of Adele's spoons and plates in the kitchen. She came forward. "Now, listen----" she began.

"I love him," said Julia Gold, dramatically. "I love him!"

Except that it was very white and, somehow, old-looking, Aunt Sophy's face was as benign as always. "Now, look here, Julia, my girl. That isn't love, and you know it. I'm an old maid, but I know what love is when I see it. I'm ashamed of you, Julia.

One Basket