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Today's Stichomancy for Vidal Sassoon

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Deserted Woman by Honore de Balzac:

convalescence demanded complete rest, a light diet, bracing air, and freedom from excitement of every kind, and the fat lands of Bessin seemed to offer all these conditions of recovery. To Bayeux, a picturesque place about six miles from the sea, the patient therefore betook himself, and was received with the cordiality characteristic of relatives who lead very retired lives, and regard a new arrival as a godsend.

All little towns are alike, save for a few local customs. When M. le Baron Gaston de Nueil, the young Parisian in question, had spent two or three evenings in his cousin's house, or with the friends who made up Mme. de Sainte-Severe's circle, he very soon had made the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Criminal Sociology by Enrico Ferri:

uncertain in their procedure, which saps all their force by the chance of immunity, and the interval between the unlawful act and its legal consequence.

Lombroso and Tarde, indeed, have confronted me

with historic examples of vigorous and even savage repressions, whereby it was possible to stamp out some epidemic crime. But these examples are not conclusive, for I have shown that, as soon as these exceptional repressions were at an end, as, for instance, after the death of Pope Sixtus V., brigandage and other crimes were persistently renewed. But my main rejoinder is this, that these exceptional repressions depend upon the _jus belli_; and

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Romeo and Juliet by William Shakespeare:

Toade as see him: I anger her sometimes, and tell her that Paris is the properer man, but Ile warrant you, when I say so, shee lookes as pale as any clout in the versall world. Doth not Rosemarie and Romeo begin both with a letter? Rom. I Nurse, what of that? Both with an R Nur. A mocker that's the dogs name. R. is for the no, I know it begins with some other letter, and she hath the prettiest sententious of it, of you and Rosemary, that it would do you good to heare it

Rom. Commend me to thy Lady

Nur. I a thousand times. Peter?


Romeo and Juliet
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Herbert West: Reanimator by H. P. Lovecraft:

of colour came to cheeks hitherto chalk-white, and spread out under the curiously ample stubble of sandy beard. West, who had his hand on the pulse of the left wrist, suddenly nodded significantly; and almost simultaneously a mist appeared on the mirror inclined above the body’s mouth. There followed a few spasmodic muscular motions, and then an audible breathing and visible motion of the chest. I looked at the closed eyelids, and thought I detected a quivering. Then the lids opened, shewing eyes which were grey, calm, and alive, but still unintelligent and not even curious.

In a moment of fantastic whim I whispered questions to the reddening ears; questions of other worlds of which the memory might still


Herbert West: Reanimator