Today's Stichomancy for Vidal Sassoon
| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Bride of Lammermoor by Walter Scott: derogated from his gentle blood in using the pencil for his
principal means of support. But if Dick's pedigree was
correct, some of his ancestors must have suffered a more heavy
declension, since the good man his father executed the necessary,
and, I trust, the honest, but certainly not very distinguished,
employment of tailor in ordinary to the village of Langdirdum in
the west.. Under his humble roof was Richard born, and to his
father's humble trade was Richard, greatly contrary to his
inclination, early indentured. Old Mr. Tinto had, however, no
reason to congratulate himself upon having compelled the youthful
genius of his son to forsake its natural bent. He fared like the
 The Bride of Lammermoor |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Water-Babies by Charles Kingsley: And at last they came to chimney No. 345. Out of the top of it,
his head and shoulders just showing, stuck poor Mr. Grimes, so
sooty, and bleared, and ugly, that Tom could hardly bear to look at
him. And in his mouth was a pipe; but it was not a-light; though
he was pulling at it with all his might.
"Attention, Mr. Grimes," said the truncheon; "here is a gentleman
come to see you."
But Mr. Grimes only said bad words; and kept grumbling, "My pipe
won't draw. My pipe won't draw."
"Keep a civil tongue, and attend!" said the truncheon; and popped
up just like Punch, hitting Grimes such a crack over the head with
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Nada the Lily by H. Rider Haggard: walked up to the Great Place of Jikiza. Now when he reached the gates
of the kraal, he saw that many people were streaming through them, and
mingled with the people. Presently they came to the open space in
front of the huts of Jikiza, and there the headmen were gathered
together. In the centre of them, and before a heap of the skulls of
men which were piled up against his doorposts, sat Jikiza, a huge man,
a hairy and a proud, who glared about him rolling his eyes. Fastened
to his arm by a thong of leather was the great axe Groan-Maker, and
each man as he came up saluted the axe, calling it "Inkosikaas," or
chieftainess, but he did not salute Jikiza. Umslopogaas sat down with
the people in front of the councillors, and few took any notice of
 Nada the Lily |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Egmont by Johann Wolfgang Von Goethe: they have? What is the freedom of the most free? To do right! And in that
the monarch will not hinder them. No! No! They imagine themselves
enslaved, when they have not the power to injure themselves and others.
Would it not be better to abdicate at once, rather than rule such a people?
When the country is threatened by foreign invaders, the burghers,
occupied only with their immediate interests, bestow no thought upon the
advancing foe, and when the king requires their aid, they quarrel among
themselves, and thus, as it were, conspire with the enemy. Far better is it
to circumscribe their power, to control and guide them for their good, as
children are controlled and guided. Trust me, a people grows neither old
nor wise, a people remains always in its infancy.
 Egmont |
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