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Today's Stichomancy for Vin Diesel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from An Historical Mystery by Honore de Balzac:

itself into this: how can we get five good horses to bring them in six hours from Lagny to the forest,--five horses to be killed and hidden in some thicket."

"And the money?" said Michu, who was thinking deeply as he listened to the young countess.

"I gave my cousins a hundred louis this evening," she replied.

"I'll answer for them!" cried Michu. "But once hidden here you must not attempt to see them. My wife, or the little one, shall bring them food twice a week. But, as I can't be sure of what may happen to me, remember, mademoiselle, in case of trouble, that the main beam in my hay-loft has been bored with an auger. In the hole, which is plugged

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Life of the Spider by J. Henri Fabre:

Spider of the bushes has her no less treacherous labyrinth.

Look above the web. What a forest of ropes! It might be the rigging of a ship disabled by a storm. They run from every twig of the supporting shrubs, they are fastened to the tip of every branch. There are long ropes and short ropes, upright and slanting, straight and bent, taut and slack, all criss-cross and a- tangle, to the height of three feet or so in inextricable disorder. The whole forms a chaos of netting, a labyrinth which none can pass through, unless he be endowed with wings of exceptional power.

We have here nothing similar to the lime-threads used by the Garden Spiders. The threads are not sticky; they act only by their


The Life of the Spider
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The War in the Air by H. G. Wells:

looking down and floating over things and smashing up people, it's getting on my nerves. See?"

"It'll have to get off again...."

Kurt thought. "You're not the only one. The men are all getting strung up. The flying--that's just flying. Naturally it makes one a little swimmy in the head at first. As for the killing, we've got to be blooded; that's all. We're tame, civilised men. And we've got to get blooded. I suppose there's not a dozen men on the ship who've really seen bloodshed. Nice, quiet, law-abiding Germans they've been so far.... Here they are--in for it. They're a bit squeamy now, but you wait till they've got their

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Long Odds by H. Rider Haggard:

making him talk more freely than usual.

Dear old man! I can see him now, as he went limping up and down the vestibule, with his grey hair sticking up in scrubbing-brush fashion, his shrivelled yellow face, and his large dark eyes, that were as keen as any hawk's, and yet soft as a buck's. The whole room was hung with trophies of his numerous hunting expeditions, and he had some story about every one of them, if only he could be got to tell it. Generally he would not, for he was not very fond of narrating his own adventures, but to-night the port wine made him more communicative.

"Ah, you brute!" he said, stopping beneath an unusually large skull of a lion, which was fixed just over the mantelpiece, beneath a long row of


Long Odds