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Today's Stichomancy for Vin Diesel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from To the Lighthouse by Virginia Woolf:

went to the heart of things. He cared about fishermen and their wages. He could not sleep for thinking of them. It was altogether different when he spoke; one did not feel then, pray heaven Then, realising that it was because she admired him so much that she was waiting for him to speak, she felt as if somebody had been praising her husband to her and their marriage, and she glowed all over withiut realising that it was she herself who had praised him. She looked at him thinking to find this in his face; he would be looking magnificent... But not in the least! He was screwing his face up, he was scowling and frowning, and flushing with anger. What on earth was it about? she wondered. What could be the matter? Only that poor old Augustus had asked for


To the Lighthouse
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Jolly Corner by Henry James:

make so good a thing of your sky-scraper that, living in luxury on THOSE ill-gotten gains, you can afford for a while to be sentimental here!" Her smile had for him, with the words, the particular mild irony with which he found half her talk suffused; an irony without bitterness and that came, exactly, from her having so much imagination - not, like the cheap sarcasms with which one heard most people, about the world of "society," bid for the reputation of cleverness, from nobody's really having any. It was agreeable to him at this very moment to be sure that when he had answered, after a brief demur, "Well, yes; so, precisely, you may put it!" her imagination would still do him justice. He explained

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Maid Marian by Thomas Love Peacock:

Robin and Marian at the festal board; at which was already placed one strange guest in the person of a portly monk, sitting between Little John and Scarlet, with, his rotund physiognomy elongated into an unnatural oval by the conjoint influence of sorrow and fear: sorrow for the departed contents of his travelling treasury, a good-looking valise which was hanging empty on a bough; and fear for his personal safety, of which all the flasks and pasties before him could not give him assurance. The appearance of the knight, however, cheered him up with a semblance of protection, and gave him just sufficient courage to demolish a cygnet and a rumble-pie, which he diluted with the contents of two flasks of canary sack.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Master of Ballantrae by Robert Louis Stevenson:

riding-rod.

"What, would ye beat a lassie, ye ugly - ?" cries she, and ran away screaming as though he had struck her.

Next day word went about the country like wildfire that Mr. Henry had beaten Jessie Broun within an inch of her life. I give it as one instance of how this snowball grew, and one calumny brought another; until my poor patron was so perished in reputation that he began to keep the house like my lord. All this while, you may be very sure, he uttered no complaints at home; the very ground of the scandal was too sore a matter to be handled; and Mr. Henry was very proud and strangely obstinate in silence. My old lord must have