Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Vin Diesel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Foolish Virgin by Thomas Dixon:

the panic of his first impulse.

"Well, how do you like my idea of a good day as far as you've gone?" he asked lightly.

She met his gaze with perfect frankness. "The happiest day I ever spent in my life," she confessed.



"Oh, shucks--what's the use!" he cried, with sudden fierce resolution. "You've got me, Kiddo, you've got me! I've been eatin' out of your hand since the minute I laid my eyes on you in that big room. I'm all yours.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Tragedy of Pudd'nhead Wilson by Mark Twain:

to take the box while its owner slept, but made a noise and was seized, and had to use the knife to save himself from capture; and that he fled without his booty because he heard help coming.

"I have now done with my theory, and will proceed to the evidences by which I propose to try to prove its soundness." Wilson took up several of his strips of glass. When the audience recognized these familiar mementos of Pudd'nhead's old time childish "puttering" and folly, the tense and funereal interest vanished out of their faces, and the house burst into volleys of relieving and refreshing laughter, and Tom chirked up and joined in the fun himself; but Wilson was apparently not disturbed.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Shakespeare's Sonnets by William Shakespeare:


As a decrepit father takes delight To see his active child do deeds of youth, So I, made lame by Fortune's dearest spite, Take all my comfort of thy worth and truth; For whether beauty, birth, or wealth, or wit, Or any of these all, or all, or more, Entitled in thy parts, do crowned sit, I make my love engrafted, to this store: So then I am not lame, poor, nor despis'd, Whilst that this shadow doth such substance give

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Parmenides by Plato:

one; and so the abstract one broken up into parts by being is many and infinite. But the parts are parts of a whole, and the whole is their containing limit, and the one is therefore limited as well as infinite in number; and that which is a whole has beginning, middle, and end, and a middle is equidistant from the extremes; and one is therefore of a certain figure, round or straight, or a combination of the two, and being a whole includes all the parts which are the whole, and is therefore self- contained. But then, again, the whole is not in the parts, whether all or some. Not in all, because, if in all, also in one; for, if wanting in any one, how in all?--not in some, because the greater would then be contained in the less. But if not in all, nor in any, nor in some, either nowhere or