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Today's Stichomancy for Vincent Van Gogh

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Camille by Alexandre Dumas:

as if he shivered from head to feet. I looked at him. He understood the look, and smiled at me; we had not exchanged a word since leaving the house.

Just before we reached the grave, Armand stopped to wipe his face, which was covered with great drops of sweat. I took advantage of the pause to draw in a long breath, for I, too, felt as if I had a weight on my chest.

What is the origin of that mournful pleasure which we find in sights of this kind? When we reached the grave the gardener had removed all the flower-pots, the iron railing had been taken away, and two men were turning up the soil.


Camille
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Babbitt by Sinclair Lewis:

lickspittle deals that you corporals of industry pull off for the bigger and brainier crooks, and you'll get chased out of town. And me--you're right, Babbitt, I've been going crooked, but now I'm going straight, and the first step will be to get a job in some office where the boss doesn't talk about Ideals. Bad luck, old dear, and you can stick your job up the sewer!"

Babbitt sat for a long time, alternately raging, "I'll have him arrested," and yearning "I wonder--No, I've never done anything that wasn't necessary to keep the Wheels of Progress moving."

Next day he hired in Graff's place Fritz Weilinger, the salesman of his most injurious rival, the East Side Homes and Development Company, and thus at once annoyed his competitor and acquired an excellent man. Young Fritz was a

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Fall of the House of Usher by Edgar Allan Poe:

dread--and yet I found it impossible to account for such feelings. A sensation of stupor oppressed me, as my eyes followed her retreating steps. When a door, at length, closed upon her, my glance sought instinctively and eagerly the countenance of the brother--but he had buried his face in his hands, and I could only perceive that a far more than ordinary wanness had overspread the emaciated fingers through which trickled many passionate tears.

The disease of the lady Madeline had long baffled the skill of her physicians. A settled apathy, a gradual wasting away of the person, and frequent although transient affections of a


The Fall of the House of Usher
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Red Inn by Honore de Balzac:

stood before the window. There, he conceived the utmost horror of himself. Feeling his virtue weak, fearing still to succumb to the spell that was upon him he sprang out upon the road and walked along the bank of the Rhine, pacing up and down like a sentinel before the inn. Sometimes he went as far as Andernach in his hurried tramp; often his feet led him up the slope he had descended on his way to the inn; and sometimes he lost sight of the inn and the window he had left open behind him. His object, he said, was to weary himself and so find sleep.

But, as he walked beneath the cloudless skies, beholding the stars, affected perhaps by the purer air of night and the melancholy lapping