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Today's Stichomancy for Vincent Van Gogh

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Peter Pan by James M. Barrie:

for the pirates, and the beasts were out looking for the redskins. They were going round and round the island, but they did not meet because all were going at the same rate.

All wanted blood except the boys, who liked it as a rule, but to-night were out to greet their captain. The boys on the island vary, of course, in numbers, according as they get killed and so on; and when they seem to be growing up, which is against the rules, Peter thins them out; but at this time there were six of them, counting the twins as two. Let us pretend to lie here among the sugar-cane and watch them as they steal by in single file, each with his hand on his dagger.


Peter Pan
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Pair of Blue Eyes by Thomas Hardy:

little further on.

Here stood a cottage, between the fence and the stream, on a slightly elevated spot of ground, round which the river took a turn. The characteristic feature of this snug habitation was its one chimney in the gable end, its squareness of form disguised by a huge cloak of ivy, which had grown so luxuriantly and extended so far from its base, as to increase the apparent bulk of the chimney to the dimensions of a tower. Some little distance from the back of the house rose the park boundary, and over this were to be seen the sycamores of the grove, making slow inclinations to the just-awakening air.


A Pair of Blue Eyes
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Europeans by Henry James:

allowed his imagination to hover. It had plenty of occupation nearer home, and though he had many cares upon his conscience the idea that he had been an unnatural uncle was, very properly, never among the number. Now that his nephew and niece had come before him, he perceived that they were the fruit of influences and circumstances very different from those under which his own familiar progeny had reached a vaguely-qualified maturity. He felt no provocation to say that these influences had been exerted for evil; but he was sometimes afraid that he should not be able to like his distinguished, delicate, lady-like niece. He was paralyzed and bewildered by her foreignness.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Scarlet Pimpernel by Baroness Emmuska Orczy:

storey below, in this same house, in the dining-room where sat Chauvelin still on the watch. Had he failed? For one instant that possibility rose before as a hope--the hope that the Scarlet Pimpernel had been warned by Sir Andrew, and that Chauvelin's trap had failed to catch his bird; but that hope soon gave way to fear. Had he failed? But then--Armand!

Lord Fancourt had given up talking since he found that he had no listener. He wanted an opportunity for slipping away; for sitting opposite to a lady, however fair, who is evidently not heeding the most vigorous efforts made for her entertainment, is not exhilarating, even to a Cabinet Minister.


The Scarlet Pimpernel