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Today's Stichomancy for Vincent Van Gogh

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Little Rivers by Henry van Dyke:

ante-bellum days Virgil Bartlett had come into the woods, and built his house on the bank of the Saranac River, between the Upper Saranac and Round Lake. It was then the only dwelling within a circle of many miles. The deer and bear were in the majority. At night one could sometimes hear the scream of the panther or the howling of wolves. But soon the wilderness began to wear the traces of a conventional smile. The desert blossomed a little--if not as the rose, at least as the gilly-flower. Fields were cleared, gardens planted; half a dozen log cabins were scattered along the river; and the old house, having grown slowly and somewhat irregularly for twenty years, came out, just before the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Adventure by Jack London:

into Sheldon's eyes. After coffee, she left them; and at midnight, from across the compound, she could hear the low murmur of their voices and see glowing the fiery ends of their cigars. Up early herself, she found they had already departed on another tramp over the plantation.

"What you think?" she asked Viaburi.

"Sheldon marster he go along finish short time little bit," was the answer.

"What you think?" she asked Ornfiri.

"Sheldon marster big fella walk about along Sydney. Yes, me t'ink so. He finish along Berande."

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Old Indian Legends by Zitkala-Sa:

hummed together to find the common pitch. The beat of the drum grew louder and faster. The singers burst forth in a lively tune. Then the drumbeats subsided and faintly marked the rhythm of the singing. Here and there bounced up men and women, both young and old. They danced and sang with merry light hearts. Then came the hour of feasting.

Late into the night the air of the camp ground was alive with the laughing voices of women and the singing in unison of young men. Within her father's teepee sat the chieftain's daughter. Proud of her little one, she watched over him asleep in her lap.

Gradually a deep quiet stole over the camp ground, as one by

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Les Miserables by Victor Hugo:

about such things. They are called fathers and mothers by the civil code, which is puerile and honest. Now, these parents groan, these old folks implore us, these good men and these good women call us prodigal sons; they desire our return, and offer to kill calves for us. Being virtuous, we obey them. At the hour when you read this, five fiery horses will be bearing us to our papas and mammas. We are pulling up our stakes, as Bossuet says. We are going; we are gone. We flee in the arms of Lafitte and on the wings of Caillard. The Toulouse diligence tears us from the abyss, and the abyss is you, O our little beauties! We return to society, to duty, to respectability, at full trot, at the rate of three leagues an hour.

Les Miserables