| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Firm of Nucingen by Honore de Balzac: though they really might have found a place there under the heading
Distinguishing Signs, were remarkable for their small size, and for
that particular something which old-fashioned dancing masters used to
call flic-flac, a something that put you in mind of Mlle. Mars'
agreeable delivery, for all the Muses are sisters, and the dancer and
poet alike have their feet upon the earth. Isaure's feet spoke lightly
and swiftly with a clearness and precision which augured well for
things of the heart. 'Elle a duc flic-flac,' was old Marcel's highest
word of praise, and old Marcel was the dancing master that deserved
the epithet of 'the Great.' People used to say 'the Great Marcel,' as
they said 'Frederick the Great,' and in Frederick's time."
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Silas Marner by George Eliot: come to Raveloe, a sense of unity between his past and present life,
which might have been the beginning of his rescue from the
insect-like existence into which his nature had shrunk. But Sally
Oates's disease had raised her into a personage of much interest and
importance among the neighbours, and the fact of her having found
relief from drinking Silas Marner's "stuff" became a matter of
general discourse. When Doctor Kimble gave physic, it was natural
that it should have an effect; but when a weaver, who came from
nobody knew where, worked wonders with a bottle of brown waters, the
occult character of the process was evident. Such a sort of thing
had not been known since the Wise Woman at Tarley died; and she had
 Silas Marner |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Street of Seven Stars by Mary Roberts Rinehart: Pension Schwarz. A trunk was there, locked and roped, and on the
trunk, in ulster and hat, sat Dr. Gates. Olga, looking rather
frightened, was coming down with a traveling-bag. She put down
the bag and scuttled up the staircase like a scared rabbit.
The little doctor was grim. She eyed Peter and Harmony with an
impersonal hostility, referable to her humor.
"I've been waiting for you two," she flung at them. "I've had a
terrific row upstairs and I'm going. That woman's a devil!"
It had been a bad day for Harmony, and this new development,
after everything else, assumed the proportions of a crisis. She
had clung, at first out of sheer loneliness and recently out of
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Persuasion by Jane Austen: and being too much in the secret of the complaints of each house.
Known to have some influence with her sister, she was continually requested,
or at least receiving hints to exert it, beyond what was practicable.
"I wish you could persuade Mary not to be always fancying herself ill,"
was Charles's language; and, in an unhappy mood, thus spoke Mary:
"I do believe if Charles were to see me dying, he would not think
there was anything the matter with me. I am sure, Anne, if you would,
you might persuade him that I really am very ill--a great deal worse
than I ever own."
Mary's declaration was, "I hate sending the children to the Great House,
though their grandmamma is always wanting to see them, for she humours
 Persuasion |