| The first excerpt represents the past or something you must release, and is drawn from Treasure Island by Robert Louis Stevenson:
Treasure Island |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Weir of Hermiston by Robert Louis Stevenson: Deil's Hags, sit with him on the Praying Weaver's stone, and talk of the
Covenanters till their tears ran down. Her view of history was wholly
artless, a design in snow and ink; upon the one side, tender innocents
with psalms upon their lips; upon the other, the persecutors, booted,
bloody-minded, flushed with wine: a suffering Christ, a raging
Beelzebub. PERSECUTOR was a word that knocked upon the woman's heart;
it was her highest thought of wickedness, and the mark of it was on her
house. Her great-great-grandfather had drawn the sword against the
Lord's anointed on the field of Rullion Green, and breathed his last
(tradition said) in the arms of the detestable Dalyell. Nor could she
blind herself to this, that had they lived in those old days, Hermiston
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The third excerpt represents the future or something you must embrace, and is drawn from Falk by Joseph Conrad: where the engines, stilled for ever, were decaying
slowly into a mass of rust, as the stilled heart de-
cays within the lifeless body. At first, after the
loss of the motive power, the tiller had been thor-
oughly secured by lashings. But in course of time
these had rotted, chafed, rusted, parting one by
one: and the rudder, freed, banged heavily to and
fro night and day, sending dull shocks through the
whole frame of the vessel. This was dangerous.
Nobody cared enough to lift a little finger. He
told me that even now sometimes waking up at
Falk |
