Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Voltaire

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Gambara by Honore de Balzac:

a chimera; yet a third is thinking that this very evening some hoped- for joy is to be hers, and rushes by anticipation into the tide of happiness, its dashing waves breaking against her burning bosom. Music alone has this power of throwing us back on ourselves; the other arts give us infinite pleasure. But I am digressing.

"These were my first ideas, vague indeed; for an inventor at the beginning only catches glimpses of the dawn, as it were. So I kept these glorious ideas at the bottom of my knapsack, and they gave me spirit to eat the dry crust I often dipped in the water of a spring. I worked, I composed airs, and, after playing them on any instrument that came to hand, I went off again on foot across Italy. Finally, at


Gambara
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Maitre Cornelius by Honore de Balzac:

against the sides of the horses and nearly suffocated, took the wiser course of retreating to their homes.

"Make room for the king's justice!" cried Tristan. "What are you doing here? Do you want to be hanged too? Go home, my friends, go home; your dinner is getting burnt. Hey! my good woman, go and darn your husband's stockings; get back to your needles."

Though such speeches showed that the grand provost was in good humor, they made the most obstreperous fly as if he were flinging the plague upon them.

At the moment when the first movement of the crowd took place, Georges d'Estouteville was stupefied at seeing, at one of the windows of the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Island Nights' Entertainments by Robert Louis Stevenson:

and do likewise.' I missed that man. I never could see much harm in Johnny."

"What did he die of?" I inquired.

"Some kind of sickness," says the captain. "It appears it took him sudden. Seems he got up in the night, and filled up on Pain-Killer and Kennedy's Discovery. No go: he was booked beyond Kennedy. Then he had tried to open a case of gin. No go again: not strong enough. Then he must have turned to and run out on the verandah, and capsized over the rail. When they found him, the next day, he was clean crazy - carried on all the time about somebody watering his copra. Poor John!"

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Letters of Robert Louis Stevenson by Robert Louis Stevenson:

seems to have the least sense of our ineffable shame: the desertion of the garrisons. I tell my little parable that Germany took England, and then there was an Indian Mutiny, and Bismarck said: 'Quite right: let Delhi and Calcutta and Bombay fall; and let the women and children be treated Sepoy fashion,' and people say, 'O, but that is very different!' And then I wish I were dead. Millais (I hear) was painting Gladstone when the news came of Gordon's death; Millais was much affected, and Gladstone said, 'Why? IT IS THE MAN'S OWN TEMERITY!' Voila le Bourgeois! le voila nu! But why should I blame Gladstone, when I too am a Bourgeois? when I have held my peace? Why did I hold my peace? Because I am