| The first excerpt represents the past or something you must release, and is drawn from The Crisis in Russia by Arthur Ransome: The gangways on either side were full of those who had not
found room on the benches. We wriggled and pushed our
way through this crowd, who were watching a play staged
and acted by the railwaymen themselves, to a side door,
through which we climbed up into the wings, and slid across
the stage behind the scenery into a tiny dressing-room.
Here Radek was laid hold of by the Master of the Ceremonies,
who, it seemed, was also part editor of a railwaymen's
newspaper, and made to give a long account of the
present situation of Soviet Russia's Foreign Affairs.
The little box of a room filled to a solid mass as
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The House of Dust by Conrad Aiken: The light wind blows to his ears a sound of laughter,
Young men shuffle their feet, loaf in the sunlight;
A girl's laugh rings like a silver bell.
But clearer than all these sounds is a sound he hears
More in his secret heart than in his ears,--
A hammer's steady crescendo, like a knell.
He hears the snarl of pineboards under the plane,
The rhythmic saw, and then the hammer again,--
Playing with delicate strokes that sombre scale . . .
And the fountain dwindles, the sunlight seems to pale.
Time is a dream, he thinks, a destroying dream;
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The third excerpt represents the future or something you must embrace, and is drawn from Several Works by Edgar Allan Poe: Then the bird said "Nevermore."
Startled at the stillness broken by reply so aptly spoken,
"Doubtless," said I, "what it utters is its only stock and store,
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore--
Till the dirges of his Hope that melancholy burden bore
Of 'Never--nevermore.'"
But the Raven still beguiling all my sad soul into smiling,
Straight I wheeled a cushioned seat in front of bird and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore--
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