| The first excerpt represents the past or something you must release, and is drawn from The House of Dust by Conrad Aiken: Oak-boughs moan in the haunted air;
Lamps blow down with a crash and tinkle of glass . . .
Darkness whistles . . . Wild hours pass . . .
And those whom sleep eludes lie wide-eyed, hearing
Above their heads a goblin night go by;
Children are waked, and cry,
The young girl hears the roar in her sleep, and dreams
That her lover is caught in a burning tower,
She clutches the pillow, she gasps for breath, she screams . . .
And then by degrees her breath grows quiet and slow,
She dreams of an evening, long ago:
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Jolly Corner by Henry James: him, on the jolly corner, as beguilingly as the slow opening bars
of some rich music follows the tap of the conductor's wand.
He always caught the first effect of the steel point of his stick
on the old marble of the hall pavement, large black-and-white
squares that he remembered as the admiration of his childhood and
that had then made in him, as he now saw, for the growth of an
early conception of style. This effect was the dim reverberating
tinkle as of some far-off bell hung who should say where? - in the
depths of the house, of the past, of that mystical other world that
might have flourished for him had he not, for weal or woe,
abandoned it. On this impression he did ever the same thing; he
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The third excerpt represents the future or something you must embrace, and is drawn from All's Well That Ends Well by William Shakespeare: FIRST LORD.
So 'tis reported, sir.
KING.
Nay, 'tis most credible; we here receive it,
A certainty, vouch'd from our cousin Austria,
With caution, that the Florentine will move us
For speedy aid; wherein our dearest friend
Prejudicates the business, and would seem
To have us make denial.
FIRST LORD.
His love and wisdom,
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