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Today's Stichomancy for Walt Disney

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Albert Savarus by Honore de Balzac:

golden-brown color of a Havana cigar, eyes of fire, Armenian eyelids with lashes of very un-British length, hair blacker than black; and under this almost olive skin, sinews of extraordinary strength and feverish alertness. She looked at Rodolphe with amazing curiosity and effrontery, watching his every movement.

"To whom does that little Moresco belong?" he asked worthy Madame Bergmann.

"To the English," Monsieur Bergmann replied.

"But she never was born in England!"

"They may have brought her from the Indies," said Madame Bergmann.

"I have been told that Miss Lovelace is fond of music. I should be


Albert Savarus
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Divine Comedy (translated by Henry Wadsworth Longfellow) by Dante Alighieri:

Being in doubt, some counsel from a person Who seeth, and uprightly wills, and loves:

"Well see I, father mine, how spurreth on The time towards me such a blow to deal me As heaviest is to him who most gives way.

Therefore with foresight it is well I arm me, That, if the dearest place be taken from me, I may not lose the others by my songs.

Down through the world of infinite bitterness, And o'er the mountain, from whose beauteous summit The eyes of my own Lady lifted me,


The Divine Comedy (translated by Henry Wadsworth Longfellow)
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Wrecker by Stevenson & Osbourne:

so many evolving dollars stood in the heart of the city: a high and spacious room, with many plate-glass windows. A glazed cabinet of polished redwood offered to the eye a regiment of some two hundred bottles, conspicuously labelled. These were all charged with Pinkerton's Thirteen Star, although from across the room it would have required an expert to distinguish them from the same number of bottles of Courvoisier. I used to twit my friend with this resemblance, and propose a new edition of the pamphlet, with the title thus improved: _Why Drink French Brandy, when we give you the same labels?_ The doors of the cabinet revolved all day upon their hinges; and

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Margret Howth: A Story of To-day by Rebecca Harding Davis:

from his grand "Fall of Chapultepec," and watched him with a lean and hungry look, Knowles, who knew no more about painting than a gorilla, walked about, looking through his fist at it, saying, "how fine the chiaroscuro was, and that it was a devilish good thing altogether." "Well, well," he soothed his conscience, going downstairs, "maybe that bit of canvas is as much to that poor chap as the Phalanstery was once to another fool." And so went on through the gas-lit streets into his parishes in cellars and alleys, with a sorer heart, but cheerfuller words, now that he had nothing but words to give.

The only place where he hardened his heart was in the hospital


Margret Howth: A Story of To-day