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Today's Stichomancy for Walt Disney

The first excerpt represents the past or something you must release, and is drawn from The Mucker by Edgar Rice Burroughs:

again his quarry had eluded him. Detective Sergeant Flannagan was peeved.

The sun smote down upon a dusty road. A heat-haze lay upon the arid land that stretched away upon either hand toward gray-brown hills. A little adobe hut, backed by a few squalid outbuildings, stood out, a screaming high-light in its coat of whitewash, against a background that was garish with light.

Two men plodded along the road. Their coats were off, the brims of their tattered hats were pulled down over eyes closed to mere slits against sun and dust


The Mucker
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Message by Honore de Balzac:

delicately cut features, and there were faint dark circles about his eyes, as if he were recovering from an illness. Add, furthermore, that he had white and shapely hands, of which he was as careful as a pretty woman should be; add that he seemed to be very well informed, and was decidedly clever, and it should not be difficult for you to imagine that my traveling companion was more than worthy of a countess. Indeed, many a girl might have wished for such a husband, for he was a Vicomte with an income of twelve or fifteen thousand livres, "to say nothing of expectations."

About a league out of Pouilly the coach was overturned. My

The third excerpt represents the future or something you must embrace, and is drawn from Babbitt by Sinclair Lewis:

Eunice came to the house she discussed with pleasant intimacy the fact that she had been forbidden to come to the house; and Babbitt tried, with no success whatever, to be fatherly and advisory with her.

III

"Gosh all fishhooks!" Ted wailed to Eunice, as they wolfed hot chocolate, lumps of nougat, and an assortment of glace nuts, in the mosaic splendor of the Royal Drug Store, "it gets me why Dad doesn't just pass out from being so poky. Every evening he sits there, about half-asleep, and if Rone or I say, 'Oh, come on, let's do something,' he doesn't even take the trouble to think about it. He just yawns and says, 'Naw, this suits me right here.' He doesn't know there's any fun going on anywhere. I suppose he must do some