| The first excerpt represents the past or something you must release, and is drawn from Lucile by Owen Meredith: Ask'd if he had nothing that weigh'd on his mind:
"Well, . . . no," . . . says Lothario, "I think not. I find,
On reviewing my life, which in most things was pleasant,
I never neglected, when once it was present,
An occasion of pleasing myself. On the whole,
I have naught to regret;" . . . and so, smiling, his soul
Took its flight from this world.
ALFRED.
Well, Regret or Remorse,
Which is best?
JOHN.
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Oscar Wilde Miscellaneous by Oscar Wilde: of Cilicia scourged himself for my pleasure before my slaves.
The King of Hierapolis who is a priest and a robber set carpets for
me to walk on.
Sometimes I sit in the circus and the gladiators fight beneath me.
Once a Thracian who was my lover was caught in the net. I gave the
signal for him to die and the whole theatre applauded. Sometimes I
pass through the gymnasium and watch the young men wrestling or in
the race. Their bodies are bright with oil and their brows are
wreathed with willow sprays and with myrtle. They stamp their feet
on the sand when they wrestle and when they run the sand follows
them like a little cloud. He at whom I smile leaves his companions
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The third excerpt represents the future or something you must embrace, and is drawn from Damaged Goods by Upton Sinclair: sir."
"Yes, sir, you are going to do as everybody else does."
"No, because my situation is not that of everybody else. I know
what I am going to do."
Said the doctor: "Five times out of ten, in the chair where you
are sitting, people talk like that, perfectly sincerely. Each
one believes himself more unhappy than all the others; but after
thinking it over, and listening to me, they understand that this
disease is a companion with whom one can live. Just as in every
household, one gets along at the cost of mutual concessions,
that's all. Come, sir, I tell you again, there is nothing about
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