Today's Stichomancy for Wassily Kandinsky

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Red Inn by Honore de Balzac:

of snuff and was now beginning his tale. It would be difficult to reproduce it in his own language, with his frequent interruptions and wordy digressions. Therefore, I now write it down in my own way; leaving out the faults of the Nuremburger, and taking only what his tale may have had of interest and poesy with the coolness of writers who forget to put on the title pages of their books: "Translated from the German."

THOUGHT AND ACT

Toward the end of Venemiaire, year VII., a republican period which in the present day corresponds to October 20, 1799, two young men, leaving Bonn in the early morning, had reached by nightfall the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Phantasmagoria and Other Poems by Lewis Carroll:

In tone of cold malignity: "To others, yea: but not to thee."

But when she saw him quail and quake, And when he urged "For pity's sake!" Once more in gentle tones she spake.

"Thought in the mind doth still abide That is by Intellect supplied, And within that Idea doth hide:

"And he, that yearns the truth to know, Still further inwardly may go, And find Idea from Notion flow:

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from An Ideal Husband by Oscar Wilde:

soon again, Arthur, shan't I?

LORD GORING. Certainly. Whenever you like. I'm going to look in at the Bachelors' Ball to-night, unless I find something better to do. But I'll come round to-morrow morning. If you should want me to- night by any chance, send round a note to Curzon Street.

SIR ROBERT CHILTERN. Thank you.

[As he reaches the door, LADY CHILTERN enters from her boudoir.]

LADY CHILTERN. You are not going, Robert?

SIR ROBERT CHILTERN. I have some letters to write, dear.

LADY CHILTERN. [Going to him.] You work too hard, Robert. You seem never to think of yourself, and you are looking so tired.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from My Antonia by Willa Cather:

A Black Hawk boy, just back from Seattle, brought the news that Tiny had not gone to the coast on a venture, as she had allowed people to think, but with very definite plans. One of the roving promoters that used to stop at Mrs. Gardener's hotel owned idle property along the waterfront in Seattle, and he had offered to set Tiny up in business in one of his empty buildings. She was now conducting a sailors' lodging-house. This, everyone said, would be the end of Tiny. Even if she had begun by running a decent place, she couldn't keep it up; all sailors' boarding-houses were alike.

When I thought about it, I discovered that I had never known Tiny as well as I knew the other girls. I remembered her tripping briskly about the dining-room on her high heels, carrying a big trayful of dishes, glancing rather pertly

My Antonia