| The first excerpt represents the past or something you must release, and is drawn from Memories and Portraits by Robert Louis Stevenson: Dutch among the polders, have felt the soft rains of the Hebrides
upon his brow, or started in the ranks at the remembered aroma of
peat-smoke. And the rivers of home are dear in particular to all
men. This is as old as Naaman, who was jealous for Abana and
Pharpar; it is confined to no race nor country, for I know one of
Scottish blood but a child of Suffolk, whose fancy still lingers
about the lilied lowland waters of that shire. But the streams of
Scotland are incomparable in themselves - or I am only the more
Scottish to suppose so - and their sound and colour dwell for ever
in the memory. How often and willingly do I not look again in
fancy on Tummel, or Manor, or the talking Airdle, or Dee swirling
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Edition of The Ambassadors by Henry James: a charm in any produced ambiguity of appearance that is not
by the same stroke, and all helplessly, an ambiguity of sense.
To project imaginatively, for my hero, a relation that has
nothing to do with the matter (the matter of my subject) but has
everything to do with the manner (the manner of my presentation
of the same) and yet to treat it, at close quarters and for fully
economic expression's possible sake, as if it were important and
essential--to do that sort of thing and yet muddle nothing may
easily become, as one goes, a signally attaching proposition;
even though it all remains but part and parcel, I hasten to
recognise, of the merely general and related question of expressional
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The third excerpt represents the future or something you must embrace, and is drawn from Enoch Arden, &c. by Alfred Tennyson: While all the younger ones with jubilant cries
Broke from their elders, and tumultuously
Down thro' the whitening hazels made a plunge
To the bottom, and dispersed, and beat or broke
The lithe reluctant boughs to tear away
Their tawny clusters, crying to each other
And calling, here and there, about the wood.
But Philip sitting at her side forgot
Her presence, and remember'd one dark hour
Here in this wood, when like a wounded life
He crept into the shadow: at last he said
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