| The first excerpt represents the past or something you must release, and is drawn from Camille by Alexandre Dumas: hurts me dreadfully."
"Come, let us reason it out," she said, taking both my hands and
looking at me with a charming smile which it was impossible to
resist, "You love me, do you not? and you would gladly spend two
or three months alone with me in the country? I too should be
glad of this solitude a deux, and not only glad of it, but my
health requires it. I can not leave Paris for such a length of
time without putting my affairs in order, and the affairs of a
woman like me are always in great confusion; well, I have found a
way to reconcile everything, my money affairs and my love for
you; yes, for you, don't laugh; I am silly enough to love you!
 Camille |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Legend of Sleepy Hollow by Washington Irving: neighborhood. Some mention was made also of the woman in white,
that haunted the dark glen at Raven Rock, and was often heard to
shriek on winter nights before a storm, having perished there in
the snow. The chief part of the stories, however, turned upon the
favorite spectre of Sleepy Hollow, the Headless Horseman, who had
been heard several times of late, patrolling the country; and, it
was said, tethered his horse nightly among the graves in the
churchyard.
The sequestered situation of this church seems always to
have made it a favorite haunt of troubled spirits. It stands on a
knoll, surrounded by locust, trees and lofty elms, from among
 The Legend of Sleepy Hollow |
The third excerpt represents the future or something you must embrace, and is drawn from Eve and David by Honore de Balzac: which all his virtue is summoned for display.
Petit-Claud did not utter a word. He lighted a taper and burned the
letter. "He has his way to make," he said to himself.
"Here is one that will go through fire and water for you," said
Cerizet.
David awaited the interview with the Cointets with a vague feeling of
uneasiness; not, however, on account of the proposed partnership, nor
for his own interests--he felt nervous as to their opinion of his
work. He was in something the same position as a dramatic author
before his judges. The inventor's pride in the discovery so nearly
completed left no room for any other feelings.
|