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Today's Stichomancy for Wes Craven

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Heart of Darkness by Joseph Conrad:

that steamboat on my first trip. It's a wonder to me yet. Imagine a blindfolded man set to drive a van over a bad road. I sweated and shivered over that business considerably, I can tell you. After all, for a seaman, to scrape the bottom of the thing that's supposed to float all the time under his care is the unpardonable sin. No one may know of it, but you never forget the thump--eh? A blow on the very heart. You remember it, you dream of it, you wake up at night and think of it--years after--and go hot and cold all over. I don't pretend to say that steamboat floated all the time. More than once she had to wade for a bit, with twenty cannibals


Heart of Darkness
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Roads of Destiny by O. Henry:

an unrepresented portion of the politico-geographical map, was appointed Commissioner of Insurance, Statistics, and History.

Standifer accepted the honour with some doubt as to the nature of the office he was to fill and his capacity for filling it--but he accepted, and by wire. He immediately set out from the little country town where he maintained (and was scarcely maintained by) a somnolent and unfruitful office of surveying and map-drawing. Before departing, he had looked up under the I's, S's and H's in the "Encyclopaedia Britannica" what information and preparation toward his official duties that those weighty volumes afforded.

A few weeks of incumbency diminished the new commissioner's awe of the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Heart of the West by O. Henry:

abandoning the girl of his heart and ripping out into the contiguous territory in the pursuit of sordid grub. 'Twas a rebuke to the poets and a slap at the best-paying element of fiction. An empty stomach is a sure antidote to an overfull heart.

"I was naturally anxious to know how far Mame was infatuated with Collier and his stratagems. I went inside the Unparalleled Exhibition, and there she was. She looked surprised to see me, but unguilty.

"'It's an elegant evening outside,' says I. 'The coolness is quite nice and gratifying, and the stars are lined out, first class, up where they belong. Wouldn't you shake these by-products of the animal kingdom long enough to take a walk with a common human who never was


Heart of the West
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Christ in Flanders by Honore de Balzac:

faint gray outlines of their hundred shafts were scarcely visible in the gloom. I gazed at the marvelous arcades, the scroll-work, the garlands, the curving lines, and arabesques interwoven and interlaced, and strangely lighted, until by sheer dint of gazing my perceptions became confused, and I stood upon the borderland between illusion and reality, taken in the snare set for the eyes, and almost light-headed by reason of the multitudinous changes of the shapes about me.

Imperceptibly a mist gathered about the carven stonework, and I only beheld it through a haze of fine golden dust, like the motes that hover in the bars of sunlight slanting through the air of a chamber. Suddenly the stone lacework of the rose windows gleamed through this