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Today's Stichomancy for Will Smith

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Gift of the Magi by O. Henry:

End of this Project Gutenberg Etext of THE GIFT OF THE MAGI.


The Gift of the Magi
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Tenant of Wildfell Hall by Bronte Sisters:

him always with Rachel, and I dare not leave him for a moment with any of the other servants, or suffer him to be alone, lest he should meet them. If his father get worse, I shall ask Esther Hargrave to take charge of him for a time, till I have reorganised the household at least; but I greatly prefer keeping him under my own eye.

I find myself in rather a singular position: I am exerting my utmost endeavours to promote the recovery and reformation of my husband, and if I succeed, what shall I do? My duty, of course, - but how? No matter; I can perform the task that is before me now, and God will give me strength to do whatever He requires hereafter.


The Tenant of Wildfell Hall
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Dunwich Horror by H. P. Lovecraft:

still send their eldest sons to Harvard and Miskatonic, though those sons seldom return to the mouldering gambrel roofs under which they and their ancestors were born. No one, even those who have the facts concerning the recent horror, can say just what is the matter with Dunwich; though old legends speak of unhallowed rites and conclaves of the Indians, amidst which they called forbidden shapes of shadow out of the great rounded hills, and made wild orgiastic prayers that were answered by loud crackings and rumblings from the ground below. In 1747 the Reverend Abijah Hoadley, newly come to the Congregational Church at Dunwich Village, preached


The Dunwich Horror
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Long Odds by H. Rider Haggard:

piece of bush veldt, with great ranges of mountains running through it, and round granite koppies starting up here and there, looking out like sentinels over the rolling waste of bush. But it is very hot--hot as a stew-pan--and when I was there that March, which, of course, is autumn in this part of Africa, the whole place reeked of fever. Every morning, as I trekked along down by the Oliphant River, I used to creep from the waggon at dawn and look out. But there was no river to be seen--only a long line of billows of what looked like the finest cotton wool tossed up lightly with a pitchfork. It was the fever mist. Out from among the scrub, too, came little spirals of vapour, as though there were hundreds of tiny fires alight in it--reek rising from thousands of tons of


Long Odds