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Today's Stichomancy for Will Wright

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Memories and Portraits by Robert Louis Stevenson:

required; and we are content to accept mere abstract types, so they be strongly and sincerely moved. A novel of this class may be even great, and yet contain no individual figure; it may be great, because it displays the workings of the perturbed heart and the impersonal utterance of passion; and with an artist of the second class it is, indeed, even more likely to be great, when the issue has thus been narrowed and the whole force of the writer's mind directed to passion alone. Cleverness again, which has its fair field in the novel of character, is debarred all entry upon this more solemn theatre. A far-fetched motive, an ingenious evasion of the issue, a witty instead of a passionate turn, offend us like an

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Man of Business by Honore de Balzac:

a bill of exchange the 'asses' bridge' in his hearing. 'No,' said he, 'it is the Bridge of Sighs; it is the shortest way to an execution.' Indeed, his knowledge of commercial law was so complete, that a professional could not have taught him anything. At that time he had nothing, as you know. His carriage and horses were jobbed; he lived in his valet's house; and, by the way, he will be a hero to his valet to the end of the chapter, even after the marriage that he proposes to make. He belonged to three clubs, and dined at one of them whenever he did not dine out. As a rule, he was to be found very seldom at his own address--"

"He once said to me," interrupted La Palferine, " 'My one affectation

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Chance by Joseph Conrad:

her gone--for it amounts to this. Sold. Because you've sold yourself; you know you have."

With his round unmoved face, a lot of fine white hair waving in the wind-eddies of the spanker, his glance levelled over the sea he seemed to be addressing the universe across her reclining form. She would protest sometimes.

"I wish you would not talk like this, papa. You are only tormenting me, and tormenting yourself."

"Yes, I am tormented enough," he admitted meaningly. But it was not talking about it that tormented him. It was thinking of it. And to sit and look at it was worse for him than it possibly could have


Chance
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Call of the Canyon by Zane Grey:

others, with white wreathes or ripples around the rocks evidently placed there as a means to cross. Carley drew back aghast.

"Glenn, I could never make it," she called.

"Come on, my Alpine climber," he taunted. "Will you let Arizona daunt you?"

"Do you want me to fall in and catch cold?" she cried, desperately.

"Carley, big women might even cross the bad places of modern life on stepping stones of their dead selves!" he went on, with something of mockery. "Surely a few physical steps are not beyond you."

"Say, are you mangling Tennyson or just kidding me?" she demanded slangily.

"My love, Flo could cross here with her eyes shut."

That thrust spurred Carley to action. His words were jest, yet they held a


The Call of the Canyon