| The first excerpt represents the past or something you must release, and is drawn from On Horsemanship by Xenophon: treatise any conclusions in which we happen to agree with that author;
on the contrary we shall hand them on with still greater pleasure to
our friends, in the belief that we shall only gain in authority from
the fact that so great an expert in horsemanship held similar views to
our own; whilst with regard to matters omitted in his treatise, we
shall endeavour to supply them.
[2] L. Dind. [in Athens]. The Eleusinion. For the position of this
sanctuary of Demeter and Kore see Leake, "Top. of Athens," i. p.
296 foll. For Simon see Sauppe, vol. v. Praef. to "de R. E." p.
230; L. Dind. Praef. "Xen. Opusc." p. xx.; Dr. Morris H. Morgan,
"The Art of Horsemanship by Xenophon," p. 119 foll. A fragment of
On Horsemanship |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Red Inn by Honore de Balzac: therefore easy to see that the kitchen, the landlord's chamber, and
the public room were, to some extent, isolated from the rest of the
house. In the courtyard were two large dogs, whose deep-toned barking
showed vigilant and easily roused guardians.
"What silence! and what a beautiful night!" said Wilhelm, looking at
the sky through the window, as the landlord was fastening the door.
The lapping of the river against the wharf was the only sound to be
heard.
"Messieurs," said the merchant, "permit me to offer you a few bottles
of wine to wash down the carp. We'll ease the fatigues of the day by
drinking. From your manner and the state of your clothes, I judge that
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The third excerpt represents the future or something you must embrace, and is drawn from Tono Bungay by H. G. Wells: moonshine....
In the small hours I was still awake and turning over scheme
after scheme in my mind whereby I might circumvent the captain's
opposition. I meant to get that quap aboard if I had to kill
some one to do it. Never in my life had I been so thwarted!
After this intolerable voyage! There came a rap at my cabin door
and then it opened and I made out a bearded face. "Come in," I
said, and a black voluble figure I could just see obscurely came
in to talk in my private ear and fill my cabin with its
whisperings and gestures. It was the captain. He, too, had been
awake and thinking things over. He had come to
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