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Today's Stichomancy for William Gibson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Mother by Owen Wister:

dollars a year, outside of what I was earning. Mr. Beverly now rang a bell. 'You happen to have come,' said he, 'on a morning when I can really do something for you out of the common. Bring me (it was a clerk he addressed) one of those Petunia circulars. Now here you can see at a glance for yourself.' He began reading the prospectus rapidly aloud to me while I followed its paragraphs with my own eye. His strong, well-polished thumb-nail ran heavily but speedily down the columns of figures and such words as gross receipts, increase of population, sinking fund, redeemable at 105 after 1920, churned vigorously and meaninglessly through my brain. But I was not going to let him know that to understand the circular I should have to take it away quietly to my desk in Nassau

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Tenant of Wildfell Hall by Bronte Sisters:

and, sinking into a chair, suppressed a heavy sigh, bit his pale lips, and fixed his eyes upon the floor.

'You did right to leave them, Lord Lowborough,' said I. 'I trust you will always continue to honour us so early with your company. And if Annabella knew the value of true wisdom, and the misery of folly and - and intemperance, she would not talk such nonsense - even in jest.'

He raised his eyes while I spoke, and gravely turned them upon me, with a half-surprised, half-abstracted look, and then bent them on his wife.

'At least,' said she, 'I know the value of a warm heart and a bold,


The Tenant of Wildfell Hall
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Captain Stormfield by Mark Twain:

my hands at his ear -

"I beg pardon, and you mustn't mind my reminding you, and seeming to meddle, but hain't you forgot something?"

He studied a second, and says -

"Forgot something? . . . No, not that I know of."

"Think," says I.

He thought. Then he says -

"No, I can't seem to have forgot anything. What is it?"

"Look at me," says I, "look me all over."

He done it.

"Well?" says he.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Before Adam by Jack London:

other, long-ago life. I will say, however, that these details were mixed and incoherent until I came to know the science of evolution. Evolution was the key. It gave the explanation, gave sanity to the pranks of this atavistic brain of mine that, modern and normal, harked back to a past so remote as to be contemporaneous with the raw beginnings of mankind.

For in this past I know of, man, as we to-day know him, did not exist. It was in the period of his becoming that I must have lived and had my being.

CHAPTER III