The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Enchanted Island of Yew by L. Frank Baum: this hedge without finding a way to pass through it."
"In that case," said Nerle, "we had better leave the hedge and go in
another direction."
"Not so," declared Marvel. "The hedge incloses some unknown country,
and I am curious to find out what it is."
"But there is no opening," remonstrated Nerle.
"Then we must make one. Wouldn't you like to enjoy a little more pain?"
"Thank you," answered Nerle, "my hands are still smarting very
comfortably from the pricks of yesterday."
"Therefore I must make the attempt myself," said the prince, and
drawing his sword he whispered a queer word to it, and straightway
 The Enchanted Island of Yew |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Animal Farm by George Orwell: explanation, and all the humbler animals set to work to learn the new
maxim by heart. FOUR LEGS GOOD, TWO LEGS BAD, was inscribed on the end
wall of the barn, above the Seven Commandments and in bigger letters When
they had once got it by heart, the sheep developed a great liking for this
maxim, and often as they lay in the field they would all start bleating
"Four legs good, two legs bad! Four legs good, two legs bad!" and keep it
up for hours on end, never growing tired of it.
Napoleon took no interest in Snowball's committees. He said that the
education of the young was more important than anything that could be done
for those who were already grown up. It happened that Jessie and Bluebell
had both whelped soon after the hay harvest, giving birth between them to
 Animal Farm |
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Soul of the Far East by Percival Lowell: mental envelopes exist, and must exist, in both hemispheres alike,
so long as society resembles the crust of the earth on which it
dwells,--a crust composed of strata that grow denser as one
descends. What is clear to those on top seems obscure to those
below; what are weighty arguments to the second have no force at all
upon the first. There must necessarily be grades of elevation in
individual beliefs, suited to the needs and cravings of each
individual soul. A creed that fills the shallow with satisfaction
leaves but an aching void in the deep. It is not of the slightest
consequence how the belief starts; differentiated it is bound to
become. The higher minds alone can rest content with abstract
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Great Gatsby by F. Scott Fitzgerald: "Do you want to commit suicide?"
"You're lucky it was just a wheel! A bad driver and not even TRYing!"
"You don't understand," explained the criminal. "I wasn't driving. There's
another man in the car."
The shock that followed this declaration found voice in a sustained
"Ah-h-h!" as the door of the coupe swung slowly open. The crowd--it was
now a crowd--stepped back involuntarily, and when the door had opened wide
there was a ghostly pause. Then, very gradually, part by part, a pale,
dangling individual stepped out of the wreck, pawing tentatively at the
ground with a large uncertain dancing shoe.
Blinded by the glare of the headlights and confused by the incessant
 The Great Gatsby |