|The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tao Teh King by Lao-tze:
returns and becomes nothing. This is called the Form of the Formless,
and the Semblance of the Invisible; this is called the Fleeting and
3. We meet it and do not see its Front; we follow it, and do not see
its Back. When we can lay hold of the Tao of old to direct the things
of the present day, and are able to know it as it was of old in the
beginning, this is called (unwinding) the clue of Tao.
15. 1. The skilful masters (of the Tao) in old times, with a subtle
and exquisite penetration, comprehended its mysteries, and were deep
(also) so as to elude men's knowledge. As they were thus beyond men's
knowledge, I will make an effort to describe of what sort they
|The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from An International Episode by Henry James:
they turned themselves inside out. They gave him a dozen dinner parties
and balls and were the means of his being invited to fifty more.
At first he used to come into Mrs. Butterworth's box at the opera
in a tweed traveling suit; but someone stopped that. At any rate,
he had a beautiful time, and they parted the best friends in the world.
Two years elapse, and the Butterworths come abroad and go to London.
The first thing they see in all the papers--in England those things
are in the most prominent place--is that the Duke of Green-Erin
has arrived in town for the Season. They wait a little, and then
Mr. Butterworth--as polite as ever--goes and leaves a card.
They wait a little more; the visit is not returned; they wait
|The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Animal Farm by George Orwell:
surmounted by a portrait of Napoleon, in profile, executed by Squealer in
Meanwhile, through the agency of Whymper, Napoleon was engaged in
complicated negotiations with Frederick and Pilkington. The pile of timber
was still unsold. Of the two, Frederick was the more anxious to get hold
of it, but he would not offer a reasonable price. At the same time there
were renewed rumours that Frederick and his men were plotting to attack
Animal Farm and to destroy the windmill, the building of which had aroused
furious jealousy in him. Snowball was known to be still skulking on
Pinchfield Farm. In the middle of the summer the animals were alarmed to
hear that three hens had come forward and confessed that, inspired by
|The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Talisman by Walter Scott:
frolic which in her heart she now bitterly repented. But while
Edith in vain strove to intercept this torrent of idle talk, she
caught the eye of one of the ladies who entered the Queen's
apartment. There was death in her look of affright and horror,
and Edith, at the first glance of her countenance, had sunk at
once on the earth, had not strong necessity and her own elevation
of character enabled her to maintain at least external composure.
"Madam," she said to the Queen, "lose not another word in
speaking, but save life--if, indeed," she added, her voice
choking as she said it, "life may yet be saved."
"It may, it may," answered the Lady Calista. "I have just heard