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Today's Stichomancy for William T. Sherman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Wuthering Heights by Emily Bronte:

that vanished in the roof, through a trap: the ascent to his garret, I suppose. He cast a sinister look at the little flame which I had enticed to play between the ribs, swept the cat from its elevation, and bestowing himself in the vacancy, commenced the operation of stuffing a three-inch pipe with tobacco. My presence in his sanctum was evidently esteemed a piece of impudence too shameful for remark: he silently applied the tube to his lips, folded his arms, and puffed away. I let him enjoy the luxury unannoyed; and after sucking out his last wreath, and heaving a profound sigh, he got up, and departed as solemnly as he came.

A more elastic footstep entered next; and now I opened my mouth for


Wuthering Heights
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Charmides by Plato:

which the fancy of the interpreter may suggest. It is akin to the method employed by Schleiermacher of arranging the dialogues of Plato in chronological order according to what he deems the true arrangement of the ideas contained in them. (Dr. Jackson is also inclined, having constructed a theory, to make the chronology of Plato's writings dependent upon it (See J. of Philol.and elsewhere.).) It may likewise be illustrated by the ingenuity of those who employ symbols to find in Shakespeare a hidden meaning. In the three cases the error is nearly the same:--words are taken out of their natural context, and thus become destitute of any real meaning.

(4) According to Dr. Jackson's 'Later Theory,' Plato's Ideas, which were

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Light of Western Stars by Zane Grey:

Versailles--an adventure that had been a novel and delightful break in the prescribed routine of her much-chaperoned life. She crossed the waiting-room to a window and, holding aside her veil, looked out. At first she could descry only a few dim lights, and these blurred in her sight. As her eyes grew accustomed to the darkness she saw a superbly built horse standing near the window. Beyond was a bare square. Or, if it was a street, it was the widest one Madeline had ever seen. The dim lights shone from low, flat buildings. She made out the dark shapes of many horses, all standing motionless with drooping heads. Through a hole in the window-glass came a cool breeze, and on it breathed a


The Light of Western Stars
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Expression of Emotion in Man and Animals by Charles Darwin:

several of them missionaries or protectors of the aborigines, to all of whom I am deeply indebted for the great trouble which they have taken, and for the valuable aid thus received. I will specify their names, &c., towards the close of this chapter, so as not to interrupt my present remarks. The answers relate to several of the most distinct and savage races of man. In many instances, the circumstances have been recorded under which each expression was observed, and the expression itself described. In such cases, much confidence may be placed in the answers. When the answers have been simply yes or no, I have always received them with caution. It follows, from the information thus acquired, that the same state of mind is expressed throughout the world with remarkable uniformity;


Expression of Emotion in Man and Animals