The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Purse by Honore de Balzac: "Monsieur is a celebrated painter, whose name must be known to you
in spite of your indifference to the arts."
The old man saw his friend's mischievous intent in suppressing
the name, and bowed to the young man.
"Certainly," said he. "I heard a great deal about his pictures at
the last Salon. Talent has immense privileges." he added,
observing the artist's red ribbon. "That distinction, which we
must earn at the cost of our blood and long service, you win in
your youth; but all glory is of the same kindred," he said,
laying his hand on his Cross of Saint-Louis.
Hippolyte murmured a few words of acknowledgment, and was silent
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from At the Mountains of Madness by H. P. Lovecraft: perceptions. Certain touches here and there gave vague hints of
latent symbols and stimuli which another mental and emotional
background, and a fuller or different sensory equipment, might
have made of profound and poignant significance to us.
The subject
matter of the sculptures obviously came from the life of the vanished
epoch of their creation, and contained a large proportion of evident
history. It is this abnormal historic-mindedness of the primal
race - a chance circumstance operating, through coincidence, miraculously
in our favor - which made the carvings so awesomely informative
to us, and which caused us to place their photography and transcription
 At the Mountains of Madness |