Today's Stichomancy for Winston Churchill

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Essays & Lectures by Oscar Wilde:

bewildering labyrinth of facts. For history (to use terms with which Aristotle has made us familiar) may be looked at from two essentially different standpoints; either as a work of art whose [Greek text which cannot be reproduced] or final cause is external to it and imposed on it from without; or as an organism containing the law of its own development in itself, and working out its perfection merely by the fact of being what it is. Now, if we adopt the former, which we may style the theological view, we shall be in continual danger of tripping into the pitfall of some A PRIORI conclusion - that bourne from which, it has been truly said, no traveller ever returns.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Cratylus by Plato:

the following: 'I found myself in greater perplexity about justice than I was before I began to learn;' 'The rho in katoptron must be the addition of some one who cares nothing about truth, but thinks only of putting the mouth into shape;' 'Tales and falsehoods have generally to do with the Tragic and goatish life, and tragedy is the place of them.' Several philosophers and sophists are mentioned by name: first, Protagoras and Euthydemus are assailed; then the interpreters of Homer, oi palaioi Omerikoi (compare Arist. Met.) and the Orphic poets are alluded to by the way; then he discovers a hive of wisdom in the philosophy of Heracleitus;-- the doctrine of the flux is contained in the word ousia (= osia the pushing principle), an anticipation of Anaxagoras is found in psuche and selene.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Letters of Robert Louis Stevenson by Robert Louis Stevenson:

isles. Tuesday, we shall leave for Taiti, where I shall knock off and do some necessary work ashore. It looks pretty bald in the atlas; not in fact; nor I trust in the 130 odd pages of diary which I have just been looking up for these dates: the interest, indeed, has been INCREDIBLE: I did not dream there were such places or such races. My health has stood me splendidly; I am in for hours wading over the knees for shells; I have been five hours on horseback: I have been up pretty near all night waiting to see where the CASCO would go ashore, and with my diary all ready - simply the most entertaining night of my life. Withal I still have colds; I have one now, and feel pretty sick too; but not as at

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Witch, et. al by Anton Chekhov:

I thought of my own Grishutka, and my heart went cold within me."

A minute passed in silence.

"Doesn't remember his mother, I suppose," said the old woman.

"How could he remember?"

And big tears began dropping from Sofya's eyes.

"He's curled himself up like a cat," she said, sobbing and laughing with tenderness and sorrow. . . . "Poor motherless mite!

Kuzka started and opened his eyes. He saw before him an ugly, wrinkled, tear-stained face, and beside it another, aged and toothless, with a sharp chin and hooked nose, and high above them the infinite sky with the flying clouds and the moon. He cried