| The first excerpt represents the past or something you must release, and is drawn from Hermione's Little Group of Serious Thinkers by Don Marquis: understand Fothy at all. Nor what he writes,
either.
But the strangest thing was -- I wish I could make
you understand how positively EERIE it makes me
feel -- that just the instant before he said, "It is
wonderful to be understood!" I knew he was going
to say it. I got that psychically, too!
"Fothy," I said, "It is absolutely WEIRD -- I eaves-
dropped on your brain the second time!"
"Wonderful!" he said, "but the still more won-
derful thing would be -- -- "
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Case of the Golden Bullet by Grace Isabel Colbron and Augusta Groner: quarter of an hour later, Detective Muller entered the railway
station of the city, burdened with a large grip. He took a seat
in the night express which rolled out from the station a few moments
later.
As he was alone in his compartment, Muller gave way to his
excitement, sometimes even murmuring half-aloud the thoughts that
rushed through his brain. "Yes, I am convinced of it, but can I
find the proofs?" the words came again and again, and in spite of
the comfortable warmth in the compartment, in spite of his tired
and half-frozen condition, he could not sleep.
|
The third excerpt represents the future or something you must embrace, and is drawn from The Golden Threshold by Sarojini Naidu: The sword of old battles, the crown of old kings,
And happy and simple and sorrowful things.
What hope shall we gather, what dreams shall we sow?
Where the wind calls our wandering footsteps we go.
No love bids us tarry, no joy bids us wait:
The voice of the wind is the voice of our fate.
INDIAN WEAVERS
Weavers, weaving at break of day,
Why do you weave a garment so gay? . . .
Blue as the wing of a halcyon wild,
We weave the robes of a new-born child.
|