| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Prince by Nicolo Machiavelli: dangerous, because he first took the husbands from the wives and now
he took the wives from their husbands. To an envious man who laughed,
he said: "Do you laugh because you are successful or because another
is unfortunate?" Whilst he was still in the charge of Messer Francesco
Guinigi, one of his companions said to him: "What shall I give you if
you will let me give you a blow on the nose?" Castruccio answered: "A
helmet." Having put to death a citizen of Lucca who had been
instrumental in raising him to power, and being told that he had done
wrong to kill one of his old friends, he answered that people deceived
themselves; he had only killed a new enemy. Castruccio praised greatly
those men who intended to take a wife and then did not do so, saying
 The Prince |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Lesson of the Master by Henry James: "Do you mean I must write about it?" and Paul struck the note of
the listening candour of a child.
"Of course you must. And tremendously well, do you mind? That
takes off a little of my esteem for this thing of yours - that it
goes on abroad. Hang 'abroad!' Stay at home and do things here -
do subjects we can measure."
"I'll do whatever you tell me," Overt said, deeply attentive. "But
pardon me if I say I don't understand how you've been reading my
book," he added. "I've had you before me all the afternoon, first
in that long walk, then at tea on the lawn, till we went to dress
for dinner, and all the evening at dinner and in this place."
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Blix by Frank Norris: suddenly descended a great and lasting joy, the happiness of the
great, grave issues of life--a happiness so deep, so intense, as
to thrill them with a sense of solemnity and wonder. Instead of
being the end, that New Year's Day was but the beginning--the
beginning of their real romance. All the fine, virile, masculine
energy of him was aroused and rampant. All her sweet, strong
womanliness had been suddenly deepened and broadened. In fine, he
had become a man, and she woman. Youth, life, and the love of man
and woman, the strength of the hills, the depth of the ocean, and
the beauty of the sky at sunset; that was what the New Year had
brought to them.
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Seraphita by Honore de Balzac: far-off end to which they are converging? Order, the revelation of
which is one of your needs, being infinite, can your limited reason
apprehend it? Do not ask why man does not comprehend that which he is
able to perceive, for he is equally able to perceive that which he
does not comprehend. If I prove to you that your mind ignores that
which lies within its compass, will you grant that it is impossible
for it to conceive whatever is beyond it? This being so, am I not
justified in saying to you: 'One of the two propositions under which
God is annihilated before the tribunal of our reason must be true, the
other is false. Inasmuch as creation exists, you feel the necessity of
an end, and that end should be good, should it not? Now, if Matter
 Seraphita |