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Today's Stichomancy for Wyatt Earp

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from To-morrow by Joseph Conrad:

song says. It's all about a pretty girl that tried hard to keep hold of a Gambucino lover, so that he should bring her lots of gold. No fear! Off he went, and she never saw him again."

"What became of her?" she breathed out.

"The song don't tell. Cried a bit, I daresay. They were the fellows: kiss and go. But it's the looking for a thing--a something . . . Sometimes I think I am a sort of Gambucino myself."

"No woman can hold you, then," she began in a brazen voice, which quavered suddenly before the


To-morrow
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot:

to breeding in all well-governed States, as far back as the memory of Figures can reach. It is considered a disgrace to any State that legislation should have to enforce what ought to be, and is in every respectable female, a natural instinct. The rhythmical and, if I may so say, well-modulated undulation of the back in our ladies of Circular rank is envied and imitated by the wife of a common Equilateral, who can achieve nothing beyond a mere monotonous swing, like the ticking of a pendulum; and the regular tick of the Equilateral is no less admired and copied by the wife of the progressive and aspiring Isosceles, in the females of whose family no "back-motion" of any kind


Flatland: A Romance of Many Dimensions
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Through the Looking-Glass by Lewis Carroll:

`But it may rain OUTSIDE?'

`It may--if it chooses,' said Tweedledee: `we've no objection. Contrariwise.'

`Selfish things!' thought Alice, and she was just going to say `Good-night' and leave them, when Tweedledum sprang out from under the umbrella and seized her by the wrist.

`Do you see THAT?' he said, in a voice choking with passion, and his eyes grew large and yellow all in a moment, as he pointed with a trembling finger at a small white thing lying under the tree.

`It's only a rattle,' Alice said, after a careful examination


Through the Looking-Glass
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Arrow of Gold by Joseph Conrad:

I shuddered to hear rising from the floor, by my side, a vibrating, scornful: "Do! Why, slink off home looking over your shoulder as you used to years ago when I had done with you - all but the laughter."

"Rita," I murmured, appalled. He must have been struck dumb for a moment. Then, goodness only knows why, in his dismay or rage he was moved to speak in French with a most ridiculous accent.

"So you have found your tongue at last - CATIN! You were that from the cradle. Don't you remember how . . ."

Dona Rita sprang to her feet at my side with a loud cry, "No, George, no," which bewildered me completely. The suddenness, the


The Arrow of Gold