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Today's Stichomancy for Wyatt Earp

The first excerpt represents the past or something you must release, and is drawn from Emma McChesney & Co. by Edna Ferber:

"Remember, I'm not convinced," Buck warned her; "I'm only beaten by superior force. But I do believe in your woman's intuition--I'll say that. It has never gone wrong. I'm banking on it.

"It's woman's intuition when we win," Emma observed, thoughtfully. "When we lose it's a foolish, feminine notion."

There were to be no half-way measures. The skirt was to be the feature of the spring line. Cutters and designers were one with Buck in thinking it a freak garment. Emma reminded them that the same thing had been said of the hobble on its appearance.

In February, Billy Spalding, veteran skirt-salesman, led a

Emma McChesney & Co.
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Michael Strogoff by Jules Verne:

house, and a perfect shower of bullets smashed all the glass in the windows. Harry Blount fell to the ground wounded in the shoulder.

Jolivet even at such a moment, was about to add this postscript to his dispatch: "Harry Blount, correspondent of the Daily Telegraph, has fallen at my side struck by --" when the imperturbable clerk said calmly: "Sir, the wire has broken." And, leaving his wicket, he quietly took his hat, brushed it round with his sleeve, and, still smiling, disappeared through a little door which Michael had not before perceived.

The third excerpt represents the future or something you must embrace, and is drawn from Seraphita by Honore de Balzac:

not doubt that Swedenborg received celestial revelations think that his writings are not all the result of divine inspiration. Others insist on absolute adherence to him; while admitting his many obscurities, they believe that the imperfection of earthly language prevented the prophet from clearly revealing those spiritual visions whose clouds disperse to the eyes of those whom faith regenerates; for, to use the words of his greatest disciple, 'Flesh is but an external propagation.' To poets and to writers his presentation of the marvellous is amazing; to Seers it is simply reality. To some Christians his descriptions have seemed scandalous. Certain critics have ridiculed the celestial substance of his temples, his golden