| The first excerpt represents the past or something you must release, and is drawn from A Pair of Blue Eyes by Thomas Hardy: with closed eyes.
He took her into his arms, entered the turret, and with slow and
cautious steps descended round and round. Then, with the
gentleness of a nursing mother, he attended to the cut on her arm.
During his progress through the operations of wiping it and
binding it up anew, her face changed its aspect from pained
indifference to something like bashful interest, interspersed with
small tremors and shudders of a trifling kind.
In the centre of each pale cheek a small red spot the size of a
wafer had now made its appearance, and continued to grow larger.
Elfride momentarily expected a recurrence to the lecture on her
 A Pair of Blue Eyes |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Two Poets by Honore de Balzac: cultivation, prompted by vanity to print the effort for the benefit of
fellow-members of the local agricultural society.
When the author had gone, David spoke.
"Lucien, are you in love with Mme. de Bargeton?"
"Passionately."
"But social prejudices set you as far apart as if she were living at
Pekin and you in Greenland."
"The will of two lovers can rise victorious over all things," said
Lucien, lowering his eyes.
"You will forget us," returned the alarmed lover, as Eve's fair face
rose before his mind.
|
The third excerpt represents the future or something you must embrace, and is drawn from The Mansion by Henry van Dyke: her two daughters sailed for Europe, on their serious pleasure
trip,
even as it had been written in the book of Providence; and John
Weightman,
who had made the entry, was left to pass the rest of the winter
with
his son and heir in the brownstone mansion.
They were comfortable enough. The machinery of the massive
establishment
ran as smoothly as a great electric dynamo. They were busy
enough, too.
|