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Today's Stichomancy for Yasser Arafat

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Black Tulip by Alexandre Dumas:

for ever.

This judgment against not only an innocent, but also a great man, was indeed some gratification to the passions of the people, to whose interests Cornelius de Witt had always devoted himself: but, as we shall soon see, it was not enough.

The Athenians, who indeed have left behind them a pretty tolerable reputation for ingratitude, have in this respect to yield precedence to the Dutch. They, at least in the case of Aristides, contented themselves with banishing him.

John de Witt, at the first intimation of the charge brought

The Black Tulip
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Blue Flower by Henry van Dyke:

hour. That would be the only fatal mistake: to forfeit anything of the bargain that he had made. He would have it, and hold it, and enjoy it all to the full. The world might have nothing better to give than it had already given; but surely it had many things that were new, and Marcion should help him to find them.

Under his learned counsel the House of the Golden Pillars took on a new magnificence. Artists were brought from Corinth and Rome and Alexandria to adorn it with splendour. Its fame glittered around the world. Banquets of incredible luxury drew the most celebrated guests into its triclinium, and

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The School For Scandal by Richard Brinsley Sheridan:

Some of the changes from the original manuscript, such as the blending of the parts of Miss Verjuice and Snake, are doubtless effective for reasons of dramatic economy, but many of the "cuts" are to be regretted from the reader's standpoint. The student of English drama will prefer Sheridan's own text to editorial emendations, however clever or effective for dramatic ends.





The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Albert Savarus by Honore de Balzac:

love him!"--She loved Albert, and felt in her heart a gnawing desire to fight for him, to snatch him from this unknown rival. She reflected that she knew nothing of music, and that she was not beautiful.

"He will never love me!" thought she.

This conclusion aggravated her anxiety to know whether she might not be mistaken, whether Albert really loved an Italian Princess, and was loved by her. In the course of this fateful night, the power of swift decision, which had characterized the famous Watteville, was fully developed in his descendant. She devised those whimsical schemes, round which hovers the imagination of most young girls when, in the solitude to which some injudicious mothers confine them, they are

Albert Savarus