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Today's Stichomancy for Yasser Arafat

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Art of War by Sun Tzu:

he was governor of Eastern Ch`in, Shen-wu of Ch`i made a hostile movement upon Sha-yuan. The Emperor T`ai Tsu [? Kao Tsu] sent Ta-hsi Wu to spy upon the enemy. He was accompanied by two other men. All three were on horseback and wore the enemy's uniform. When it was dark, they dismounted a few hundred feet away from the enemy's camp and stealthily crept up to listen, until they succeeded in catching the passwords used in the army. Then they got on their horses again and boldly passed through the camp under the guise of night-watchmen; and more than once, happening to come across a soldier who was committing some breach of discipline, they actually stopped to give the culprit a sound


The Art of War
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Egmont by Johann Wolfgang Von Goethe:

I feel the breath of consolation say on.

Brackenburg. From casual words, dropped here and there by the guards, I learned that secretly in the market-place they were preparing some terrible spectacle. Through by-ways and familiar lanes I stole to my cousin's house, and from a back window, looked out upon the market-place. Torches waved to and fro, in the hands of a wide circle of Spanish soldiers. I sharpened my unaccustomed sight, and out of the darkness there arose before me a scaffold, black, spacious, and lofty! The sight filled me with horror. Several persons were employed in covering with black cloth such portions of the wood-work as yet remained white and visible. The steps were covered last, also with black;--I saw it all. They seemed


Egmont
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tarzan and the Jewels of Opar by Edgar Rice Burroughs:

to be trying to grasp some mental image which as constantly eluded him.

At last he opened the leathern pouch which hung at his side. From it he poured into the palm of his hand a quantity of glittering gems. The firelight playing upon them conjured a multitude of scintillating rays, and as the wide eyes of the Belgian looked on in rapt fascination, the man's expression at last acknowledged a tangible purpose in courting the society of the ape-man.

9

The Theft of the Jewels


Tarzan and the Jewels of Opar
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Z. Marcas by Honore de Balzac:

forward with a stoop, but not bent like that of a conscience-stricken man. That head, large and powerful, which might contain the treasures necessary for a man of the highest ambition, looked as if it were loaded with thought; it was weighted with grief of mind, but there was no touch of remorse in his expression. As to his face, it may be summed up in a word. A common superstition has it that every human countenance resembles some animal. The animal for Marcas was the lion. His hair was like a mane, his nose was sort and flat; broad and dented at the tip like a lion's; his brow, like a lion's, was strongly marked with a deep median furrow, dividing two powerful bosses. His high, hairy cheek-bones, all the more prominent because his cheeks were so