| The first excerpt represents the past or something you must release, and is drawn from God The Invisible King by H. G. Wells: a series of involuntary "tries" on the part of an imperfect species
towards an unknown end.
Our spiritual nature follows our bodily as a glove follows a hand.
We are disharmonious beings and salvation no more makes an end to
the defects of our souls than it makes an end to the decay of our
teeth or to those vestigial structures of our body that endanger our
physical welfare. Salvation leaves us still disharmonious, and adds
not an inch to our spiritual and moral stature.
2. WHAT IS DAMNATION?
Let us now take up the question of what is Sin? and what we mean by
the term "damnation," in the light of this view of human reality.
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Works of Samuel Johnson by Samuel Johnson: longer, he found her gone to church with a young
journeyman from the neighbouring shop, of whom
she had become enamoured at her window.
In these, and a thousand intermediate
adventures, has Leviculus spent his time, till he is now
grown grey with age, fatigue, and disappointment.
He begins at last to find that success is not to be
expected, and being unfit for any employment that
might improve his fortune, and unfurnished with
any arts that might amuse his leisure, is condemned
to wear out a tasteless life in narratives which few
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The third excerpt represents the future or something you must embrace, and is drawn from The Narrative of the Life of Frederick Douglass: An American Slave by Frederick Douglass: of night" under which they labor south of Mason
and Dixon's line. Tell us whether, after all, the half-
free colored man of Massachusetts is worse off than
the pampered slave of the rice swamps!
In reading your life, no one can say that we have
unfairly picked out some rare specimens of cruelty.
We know that the bitter drops, which even you have
drained from the cup, are no incidental aggravations,
no individual ills, but such as must mingle always
and necessarily in the lot of every slave. They are the
 The Narrative of the Life of Frederick Douglass: An American Slave |