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Today's Stichomancy for Yoko Ono

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from At the Sign of the Cat & Racket by Honore de Balzac:

This remark did not protect art and thought from being condemned once again before the judgment-seat of trade. As may be supposed, these speeches did not infuse much hope into Augustine, who, during the night, gave herself up to the first meditations of love. The events of the day were like a dream, which it was a joy to recall to her mind. She was initiated into the fears, the hopes, the remorse, all the ebb and flow of feeling which could not fail to toss a heart so simple and timid as hers. What a void she perceived in this gloomy house! What a treasure she found in her soul! To be the wife of a genius, to share his glory! What ravages must such a vision make in the heart of a girl brought up among such a family! What hopes must it raise in a young

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Complete Angler by Izaak Walton:

Roach taken; and sometimes, a Dace or Chub. And in August you may fish for them with a paste made only of the crumbs of bread, which should be of pure fine manchet; and that paste must be so tempered betwixt your hands till it be both soft and tough too: a very little water, and time, and labour, and clean hands, will make it a most excellent paste. But when you fish with it, you must have a small hook, a quick eye, and a nimble hand, or the bait is lost, and the fish too; if one may lose that which he never had. With this paste you may, as I said, take both the Roach and the Dace or Dare; for they be much of a kind, in manner of feeding, cunning, goodness, and usually in size. And therefore take this general direction, for some other baits which may

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Monster Men by Edgar Rice Burroughs:

in the ignorant and superstitious crew under his command. By boring a hole in the partition wall separating their campong from the inner one he had disclosed to the horrified view of his men the fearsome brutes harbored so close to them. The mate, of course, had no suspicion of the true origin of these monsters, but his knowledge of the fact that they had not been upon the island when the Ithaca arrived and that it would have been impossible for them to have landed and reached the camp without having been seen by himself or some member of his company, was sufficient evidence to


The Monster Men
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Aeroplanes and Dirigibles of War by Frederick A. Talbot:

unless this end is accelerated by a well-planted shell from an anti-aircraft gun. The decoy glider is generally accompanied by one or two aeroplanes under control, which keep under the cover of the clouds until the hostile aviators have been drawn into the air, when they swoop down to the attack. The raiders are fully aware that they are not likely to become the target of fire from the ground, owing to the fact that the enemy's artillery might hit its friends. Consequently the antagonistic airmen are left to settle their own account. In the meantime the dummy machine draws nearer to the ground to explode and to scatter its death-dealing fragments of steel, iron, and bullets in all