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Today's Stichomancy for Yoko Ono

The first excerpt represents the past or something you must release, and is drawn from Domestic Peace by Honore de Balzac:

be seen with variations at every step in the crowded rooms, and reflected with different shades in other countenances. The spectacle of so many vivid passions, of all these lovers' quarrels, these pleasing revenges, these cruel favors, these flaming glances, of all this ardent life diffused around them, only made them feel their impotence more keenly.

At last the Baron had found a seat by Madame de Soulanges. His eyes stole a long look at her neck, as fresh as dew and as fragrant as field flowers. He admired close at hand the beauty which had amazed him from afar. He could see a small, well-shod foot, and measure with his eye a slender and graceful shape. At that time women wore their

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Democracy In America, Volume 2 by Alexis de Toqueville:

Legislature," vol. ii. pp. 187 and 331; "The Revised Statutes of the State of New York," vol. ii. pp. 411, 643, 717, 720; "The Statute Law of the State of Tennessee," vol. i. p. 209; "Acts of the State of Ohio," pp. 95 and 210; and "Digeste general des Actes de la Legislature de la Louisiane."

Appendix R

If we attentively examine the constitution of the jury as introduced into civil proceedings in England, we shall readily perceive that the jurors are under the immediate control of the judge. It is true that the verdict of the jury, in civil as well as in criminal cases, comprises the question of fact and the

The third excerpt represents the future or something you must embrace, and is drawn from St. Ives by Robert Louis Stevenson:

came the last farewell and - somewhere far off in that roaring Paris that surrounded us - the bloody scene. I was the cherished one, the last comfort, of these dying women. I have been in pitched fights, my lord, and I never knew such courage. It was all done smiling, in the tone of good society; BELLE MAMAN was the name I was taught to give to each; and for a day or two the new "pretty mamma" would make much of me, show me off, teach me the minuet, and to say my prayers; and then, with a tender embrace, would go the way of her predecessors, smiling. There were some that wept too. There was a childhood! All the time Monsieur de Culemberg kept his eye on me, and would have had me out of the ABBAYE and in his own