Today's Stichomancy for Yoko Ono

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Almayer's Folly by Joseph Conrad:

The sound of voices ceased, but the paddles worked as furiously as before. Then the bush in front of Almayer shook, and the sharp sound of the paddles falling into the canoe rang in the quiet night. They were holding on to the bush now; but Almayer could hardly make out an indistinct dark shape of a man's head and shoulders above the bank.

"You Abdulla?" said Almayer, doubtfully.

A grave voice answered--

"Tuan Almayer is speaking to a friend. There is no Arab here."

Almayer's heart gave a great leap.

"Dain!" he exclaimed. "At last! at last! I have been waiting

Almayer's Folly

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Tragedy of Pudd'nhead Wilson by Mark Twain:

that it was not one story, but two stories tangled together; and they obstructed and interrupted each other at every turn and created no end of confusion and annoyance. I could not offer the book for publication, for I was afraid it would unseat the reader's reason, I did not know what was the matter with it, for I had not noticed, as yet, that it was two stories in one. It took me months to make that discovery. I carried the manuscript back and forth across the Atlantic two or three times, and read it and studied over it on shipboard; and at last I saw where the difficulty lay. I had no further trouble. I pulled one of the stories out by the roots, and left the other--a kind of literary

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Persuasion by Jane Austen:

what I have known, or could imagine. There is always something offensive in the details of cunning. The manoeuvres of selfishness and duplicity must ever be revolting, but I have heard nothing which really surprises me. I know those who would be shocked by such a representation of Mr Elliot, who would have difficulty in believing it; but I have never been satisfied. I have always wanted some other motive for his conduct than appeared. I should like to know his present opinion, as to the probability of the event he has been in dread of; whether he considers the danger to be lessening or not."

"Lessening, I understand," replied Mrs Smith. "He thinks Mrs Clay afraid of him, aware that he sees through her, and not daring to proceed

Persuasion

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A House of Pomegranates by Oscar Wilde:

his soul, and a cloud of dust followed him as he sped round the sand of the shore. By the itching of her palm the young Witch knew his coming, and she laughed and let down her red hair. With her red hair falling around her, she stood at the opening of the cave, and in her hand she had a spray of wild hemlock that was blossoming.

'What d'ye lack? What d'ye lack?' she cried, as he came panting up the steep, and bent down before her. 'Fish for thy net, when the wind is foul? I have a little reed-pipe, and when I blow on it the mullet come sailing into the bay. But it has a price, pretty boy, it has a price. What d'ye lack? What d'ye lack? A storm to wreck