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Today's Stichomancy for Yoko Ono

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Story of an African Farm by Olive Schreiner:

Her companion cast a quiet glance upon her.

"He was the greatest man who ever lived," she said, "the man I like best."

"And what did he do?" asked Em, conscious that she had made a mistake, and that her prophet was not the man.

"He was one man, only one," said her little companion slowly, "yet all the people in the world feared him. He was not born great, he was common as we are; yet he was master of the world at last. Once he was only a little child, then he was a lieutenant, then he was a general, then he was an emperor. When he said a thing to himself he never forgot it. He waited, and waited and waited, and it came at last."

"He must have been very happy," said Em.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from War and the Future by H. G. Wells:

and misjudges the possibilities of the latter.

All about the world to-day goes a certain freemasonry of thought. It is an impalpable and hardly conscious union of intention. It thinks not in terms of national but human experience; it falls into directions and channels of thinking that lead inevitably to the idea of a world-state under the rule of one righteousness. In no part of the world is this modern type of mind so abundantly developed, less impeded by antiquated and perverse political and religious forms, and nearer the sources of political and administrative power, than in America. It does not seem to matter what thousand other things America may happen to be,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Passionate Pilgrim by William Shakespeare:

VIII.

If music and sweet poetry agree, As they must needs, the sister and the brother, Then must the love be great 'twixt thee and me, Because thou lovest the one, and I the other. Dowland to thee is dear, whose heavenly touch Upon the lute doth ravish human sense; Spenser to me, whose deep conceit is such As, passing all conceit, needs no defence. Thou lovest to bear the sweet melodious sound That Phoebus' lute, the queen of music, makes;

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from 'Twixt Land & Sea by Joseph Conrad:

putting it in his pocket jauntily. A placid voice uttered in the doorway: "That's quite correct, Captain."

The large noiseless Jacobus advanced into the room. His quietness, in the circumstances, amounted to cordiality. He had put on his jacket before joining us, and he sat down in the chair vacated by the steamer-man, who nodded again to me and went out with a short, jarring laugh. A profound silence reigned. With his drowsy stare Jacobus seemed to be slumbering open-eyed. Yet, somehow, I was aware of being profoundly scrutinised by those heavy eyes. In the enormous cavern of the store somebody began to nail down a case, expertly: tap-tap . . . tap-tap-tap.


'Twixt Land & Sea