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Today's Stichomancy for Yoko Ono

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Black Arrow by Robert Louis Stevenson:

crossed the road in safety, and began to mount into the high ground of Tunstall Forest. The trees grew more and more in groves, with heathy places in between, sandy, gorsy, and dotted with old yews. The ground became more and more uneven, full of pits and hillocks. And with every step of the ascent the wind still blew the shriller, and the trees bent before the gusts like fishing-rods.

They had just entered one of the clearings, when Dick suddenly clapped down upon his face among the brambles, and began to crawl slowly backward towards the shelter of the grove. Matcham, in great bewilderment, for he could see no reason for this flight, still imitated his companion's course; and it was not until they

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The War in the Air by H. G. Wells:

arm by which he was clinging hold out, or would it give way and snap? A handful of hail smacked him in the face, so that for a time he was breathless and nearly insensible. Hold tight, Bert! He renewed his efforts.

He found himself, with an enormous sense of relief and warmth, in the passage. The passage was behaving like a dice-box, its disposition was evidently to rattle him about and then throw him out again. He hung on with the convulsive clutch of instinct until the passage lurched down ahead. Then he would make a short run cabin-ward, and clutch again as the fore-end rose.

Behold! He was in the cabin!

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Communist Manifesto by Karl Marx:

have seemed an absurdity -- the epidemic of over-production. Society suddenly finds itself put back into a state of momentary barbarism; it appears as if a famine, a universal war of devastation had cut off the supply of every means of subsistence; industry and commerce seem to be destroyed; and why? Because there is too much civilisation, too much means of subsistence, too much industry, too much commerce. The productive forces at the disposal of society no longer tend to further the development of the conditions of bourgeois property; on the contrary, they have become too powerful for these conditions, by which they are fettered, and so soon as they overcome these fetters, they bring


The Communist Manifesto
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Whirligigs by O. Henry:

"Poor man," said Tommy. "You must be hungry. If you will please stand in a listless attitude I will get you something to eat."

The boy brought a roast chicken, a jar of marmalade and a bottle of wine from the pantry. The burglar seized a knife and fork sullenly.

"It's only been an hour," he grumbled, "since I had a lobster and a pint of musty ale up on Broadway. I wish these story writers would let a fellow have a pepsin tablet, anyhow, between feeds."

"My papa writes books," remarked Tommy.