| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from King Henry VI by William Shakespeare: YOUNG CLIFFORD.
And so to arms, victorious father,
To quell the rebels and their complices.
RICHARD.
Fie! charity, for shame! speak not in spite,
For you shall sup with Jesu Christ to-night.
YOUNG CLIFFORD.
Foul stigmatic, that's more than thou canst
tell.
RICHARD.
If not in heaven, you'll surely sup in hell.
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Burning Daylight by Jack London: a right to do your best. And you d-one it-cleaned me out
slicker'n a whistle."
He gazed at the heap on the table with an air of stupefaction.
"And that-all ain't worth the paper it's written on. Gol dast it,
you-all can sure deal 'em 'round when you get a chance.
Oh, no, I ain't a-kicking. It was your deal, and you-all
certainly done me, and a man ain't half a man that squeals on
another man's deal. And now the hand is played out, and the
cards are on the table, and the deal's over, but..."
His hand, dipping swiftly into his inside breast pocket, appeared
with the big Colt's automatic.
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Jane Eyre by Charlotte Bronte: mistake slaughtered it at the shambles, he would not have rued his
bloody blunder more than I now rue mine. Will you ever forgive me?"
Reader, I forgave him at the moment and on the spot. There was such
deep remorse in his eye, such true pity in his tone, such manly
energy in his manner; and besides, there was such unchanged love in
his whole look and mien--I forgave him all: yet not in words, not
outwardly; only at my heart's core.
"You know I am a scoundrel, Jane?" ere long he inquired wistfully--
wondering, I suppose, at my continued silence and tameness, the
result rather of weakness than of will.
"Yes, sir."
 Jane Eyre |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Emma McChesney & Co. by Edna Ferber: Grace's pale cheeks and last year's wardrobe made her firm in her
stand.
"Grace," she said, one day, "listen to me: I want you to get
some clothes--a lot of them, and foolish ones, all of them.
Babies are all very well, but husbands have some slight right to
consideration. The clock, for you, is an instrument devised to
cut up the day and night into your baby's eating- and
sleeping-periods. I want you to get some floppy hats with roses
on 'em, and dresses with ruffles and sashes. I'll stay home and
guard your child from vandals and ogres. Scat!"
Her stay lengthened to four weeks, five weeks, six. She had the
 Emma McChesney & Co. |