| The first excerpt represents the past or something you must release, and is drawn from Fantastic Fables by Ambrose Bierce: accurately expressed my views without consulting me; and if I
indorsed their work without approving it I should be a liar."
"You are a detestable hypocrite and an idiot!" shouted the Party
Manager.
"Even your good opinion of my fitness," replied the Gentleman,
"shall not persuade me."
The Legislator and the Citizen
AN ex-Legislator asked a Most Respectable Citizen for a letter to
the Governor recommending him for appointment as Commissioner of
Shrimps and Crabs.
"Sir," said the Most Respectable Citizen, austerely, "were you not
 Fantastic Fables |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Jungle by Upton Sinclair: often allow one or two forlorn-looking bums who came in covered
with snow or soaked with rain to sit by the fire and look
miserable to attract custom. A workingman would come in, feeling
cheerful after his day's work was over, and it would trouble him
to have to take his glass with such a sight under his nose; and
so he would call out: "Hello, Bub, what's the matter? You look
as if you'd been up against it!" And then the other would begin
to pour out some tale of misery, and the man would say, "Come
have a glass, and maybe that'll brace you up." And so they would
drink together, and if the tramp was sufficiently
wretched-looking, or good enough at the "gab," they might have
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The third excerpt represents the future or something you must embrace, and is drawn from Beyond Good and Evil by Friedrich Nietzsche: boisterous allegrissimo, perhaps not without a malicious artistic
sense of the contrast he ventures to present--long, heavy,
difficult, dangerous thoughts, and a TEMPO of the gallop, and of
the best, wantonest humour? Finally, who would venture on a
German translation of Petronius, who, more than any great
musician hitherto, was a master of PRESTO in invention, ideas,
and words? What matter in the end about the swamps of the sick,
evil world, or of the "ancient world," when like him, one has the
feet of a wind, the rush, the breath, the emancipating scorn of a
wind, which makes everything healthy, by making everything RUN!
And with regard to Aristophanes--that transfiguring,
 Beyond Good and Evil |