Today's Stichomancy for david bowie
| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from At the Mountains of Madness by H. P. Lovecraft: in other cases a continuous chronicle would be carried through
a series of rooms and corridors. The best of the maps and diagrams
were on the walls of a frightful abyss below even the ancient
ground level - a cavern perhaps two hundred feet square and sixty
feet high, which had almost undoubtedly been an educational center
of some sort. There were many provoking repetitions of the same
material in different rooms and buildings, since certain chapters
of experience, and certain summaries or phases of racial history,
had evidently been favorites with different decorators or dwellers.
Sometimes, though, variant versions of the same theme proved useful
in settling debatable points and filling up gaps.
 At the Mountains of Madness |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Robinson Crusoe by Daniel Defoe: ignorant but even nature itself will teach you that all this is
true; and I am satisfied you know it all to be true, and believe it
yourself." - "That is true, sir," said Atkins; "but with what face
can I say anything to my wife of all this, when she will tell me
immediately it cannot be true?" - "Not true!" said I; "what do you
mean by that?" - "Why, sir," said he, "she will tell me it cannot
be true that this God I shall tell her of can be just, or can
punish or reward, since I am not punished and sent to the devil,
that have been such a wicked creature as she knows I have been,
even to her, and to everybody else; and that I should be suffered
to live, that have been always acting so contrary to what I must
 Robinson Crusoe |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Taras Bulba and Other Tales by Nikolai Vasilievich Gogol: affair promised to assume a sufficiently serious aspect when an
unforeseen occurrence lent an added interest to it. As the judge was
leaving the court in company with the clerk and secretary, and the
employees were thrusting into sacks the fowls, eggs, loaves, pies,
cracknels, and other odds and ends brought by the plaintiffs--just at
that moment a brown sow rushed into the room and snatched, to the
amazement of the spectators, neither a pie nor a crust of bread but
Ivan Nikiforovitch's plaint, which lay at the end of the table with
its leaves hanging over. Having seized the document, mistress sow ran
off so briskly that not one of the clerks or officials could catch
her, in spite of the rulers and ink-bottles they hurled after her.
 Taras Bulba and Other Tales |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Domestic Peace by Honore de Balzac: position. Martial, as they came forward, had hastened to join the
group of men by the fireplace, that he might watch Madame de
Vaudremont with the jealous anxiety of the first flame of passion,
from behind the heads which formed a sort of rampart; a secret voice
seemed to warn him that the success on which he prided himself might
perhaps be precarious. But the coldly polite smile with which the
Countess thanked Monsieur de Soulanges, and her little bow of
dismissal as she sat down by Madame de Gondreville, relaxed the
muscles of his face which jealousy had made rigid. Seeing Soulanges,
however, still standing quite near the sofa on which Madame de
Vaudremont was seated, not apparently having understood the glance by
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