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Today's Stichomancy for david bowie

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from An Occurrence at Owl Creek Bridge by Ambrose Bierce:

AEolian harps. He had not wish to perfect his escape -- he was content to remain in that enchanting spot until retaken.

A whiz and a rattle of grapeshot among the branches high above his head roused him from his dream. The baffled cannoneer had fired him a random farewell. He sprang to his feet, rushed up the sloping bank, and plunged into the forest.

All that day he traveled, laying his course by the rounding sun. The forest seemed interminable; nowhere did he discover a break in it, not even a woodman's road. He had not known that he lived in so wild a region. There was


An Occurrence at Owl Creek Bridge
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Garden Party by Katherine Mansfield:

and looked at Fenella so merrily she almost thought he winked at her.

9. MISS BRILL.

Although it was so brilliantly fine--the blue sky powdered with gold and great spots of light like white wine splashed over the Jardins Publiques-- Miss Brill was glad that she had decided on her fur. The air was motionless, but when you opened your mouth there was just a faint chill, like a chill from a glass of iced water before you sip, and now and again a leaf came drifting--from nowhere, from the sky. Miss Brill put up her hand and touched her fur. Dear little thing! It was nice to feel it again. She had taken it out of its box that afternoon, shaken out the moth-powder, given it a good brush, and rubbed the life back into the dim little eyes.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Across The Plains by Robert Louis Stevenson:

frock coats, and with a view to nothing more extraordinary than a fortune and a subsequent visit to Paris, it seems to me, I own, as if this railway were the one typical achievement of the age in which we live, as if it brought together into one plot all the ends of the world and all the degrees of social rank, and offered to some great writer the busiest, the most extended, and the most varied subject for an enduring literary work. If it be romance, if it be contrast, if it be heroism that we require, what was Troy town to this? But, alas! it is not these things that are necessary - it is only Homer.

Here also we are grateful to the train, as to some god who conducts

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Verses 1889-1896 by Rudyard Kipling:

Saving the money (she warned me), and letting the other men drink. And I met M'Cullough in London (I'd turned five 'undred then), And 'tween us we started the Foundry -- three forges and twenty men: Cheap repairs for the cheap 'uns. It paid, and the business grew, For I bought me a steam-lathe patent, and that was a gold mine too. "Cheaper to build 'em than buy 'em," ~I~ said, but M'Cullough he shied, And we wasted a year in talking before we moved to the Clyde. And the Lines were all beginning, and we all of us started fair, Building our engines like houses and staying the boilers square. But M'Cullough 'e wanted cabins with marble and maple and all, And Brussels an' Utrecht velvet, and baths and a Social Hall,


Verses 1889-1896