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Today's Stichomancy for david bowie

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Lost Princess of Oz by L. Frank Baum:

of Cayke the Cookie Cook and stole her diamond-studded gold dishpan while all the Yips were asleep, Taking his prize outside, he set the pan upon the ground and uttered the required magic word. Instantly, the dishpan grew as large as a big washtub, and Ugu seated himself in it and grasped the two handles. Then he wished himself in the great drawing room of Glinda the Good.

He was there in a flash. First he took the Great Book of Records and put it in the dishpan. Then he went to Glinda's laboratory and took all her rare chemical compounds and her instruments of sorcery, placing these also in the dishpan, which he caused to grow large enough to hold them. Next he seated himself amongst the treasures he


The Lost Princess of Oz
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Cruise of the Jasper B. by Don Marquis:

and following seas. Could the Jasper B., a bone in her teeth and her tackle humming, ever again sail through Cleggett's dreams? For a moment, if the worst must be known, he was almost disgusted with the Jasper B., considered as a ship. For a moment he was willing to believe that Cap'n Abernethy was nothing but a Long Island truck farmer, and NOT of a seafaring family at all. For a moment he felt himself to be a copyreader again on the New York Enterprise.

But only for a moment! The star of romance, clouded temporarily by fact, rose serene and bright again in the wide heaven of the unusual spirit, the barber's basin gleamed once more the helmet

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Paradise Lost by John Milton:

Back to his chariot, where it stood retired From off the files of war: There they him laid Gnashing for anguish, and despite, and shame, To find himself not matchless, and his pride Humbled by such rebuke, so far beneath His confidence to equal God in power. Yet soon he healed; for Spirits that live throughout Vital in every part, not as frail man In entrails, heart of head, liver or reins, Cannot but by annihilating die; Nor in their liquid texture mortal wound


Paradise Lost
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Running a Thousand Miles for Freedom by William and Ellen Craft:

was aroused, and pervaded the city. It is under- stood that one of the judges told the Marshal that he would not be authorised in breaking the door of Craft's house. Craft kept himself close within the house, armed himself, and awaited with remarkable composure the event. Ellen, in the meantime, had been taken to a retired place out of the city. The Vigilance Committee (appointed at a late meeting in Fanueil Hall) enlarged their numbers, held an almost permanent session, and appointed various sub- committees to act in different ways. One of these


Running a Thousand Miles for Freedom