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Today's Stichomancy for Al Pacino

The first excerpt represents the past or something you must release, and is drawn from Alexander's Bridge by Willa Cather:

standard really professional. It must take a great deal of time, certainly, and Bartley must take a great deal of time. Wilson reflected that he had never before known a woman who had been able, for any considerable while, to support both a personal and an intellectual passion. Sitting behind her, he watched her with perplexed admiration, shading his eyes with his hand. In her dinner dress she looked even younger than in street clothes, and, for all her composure and self-sufficiency,


Alexander's Bridge
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Domestic Peace by Honore de Balzac:

eyes to his at the right moment and drop their lids with assumed modesty.

When the movement of a new figure, invented by a dancer named Trenis, and named after him, brought Martial face to face with the Colonel--"I have won your horse," said he, laughing.

"Yes, but you have lost eighty thousand francs a year!" retorted Montcornet, glancing at Madame de Vaudremont.

"What do I care?" replied Martial. "Madame de Soulanges is worth millions!"

At the end of the quadrille more than one whisper was poured into more than one ear. The less pretty women made moral speeches to their

The third excerpt represents the future or something you must embrace, and is drawn from Proposed Roads To Freedom by Bertrand Russell:

recognition of such a thing as crime? The first thing to recognize is that the whole conception of guilt or sin should be utterly swept away. At present, the criminal is visited with the displeasure of the community: the sole method applied to prevent the occurrence of crime is the infliction of pain upon the criminal. Everything possible is done to break his spirit and destroy his self-respect. Even those pleasures which would be most likely to have a civilizing effect are forbidden to him, merely on the ground that they are pleasures, while much of the suffering