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Today's Stichomancy for Alessandra Ambrosio

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Dark Lady of the Sonnets by George Bernard Shaw:

went to the galleys or Siberia. From the mature Shakespear we get no such scenes of village snobbery as that between the stage country gentleman Alexander Iden and the stage Radical Jack Cade. We get the shepherd in As You Like It, and many honest, brave, human, and loyal servants, beside the inevitable comic ones. Even in the Jingo play, Henry V, we get Bates and Williams drawn with all respect and honor as normal rank and file men. In Julius Caesar, Shakespear went to work with a will when he took his cue from Plutarch in glorifying regicide and transfiguring the republicans. Indeed hero-worshippers have never forgiven him for belittling Caesar and failing to see that side of his assassination which made Goethe denounce it as the most senseless of

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Dreams by Olive Schreiner:

He said, "No man who has once entered Heaven ever leaves it; but some, when they have gone half way, turn back, because they are afraid there is no land beyond."

I said, "Has none ever returned?"

God said, "No; once in Heaven always in Heaven."

And God took me over. And when we came to one of the great doors--for Heaven has more doors than one, and they are all open--the posts rose up so high on either side I could not see the top, nor indeed if there were any.

And it seemed to me so wide that all Hell could go in through it.

I said to God, "Which is the larger, Heaven or Hell?"

God said, "Hell is as wide, but Heaven is deeper. All Hell could be

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Louis Lambert by Honore de Balzac:

as defenceless as when the fearful light of reflection comes to analyze and demolish them. Gifted as I am with the melancholy faculty of seeing obstacles and success with equal clearness, according to the mood of the moment, I am happy or miserable by turns.

"Thus, when I first met you, I felt the presence of an angelic nature, I breathed an air that was sweet to my burning breast, I heard in my soul the voice that never can be false, telling me that here was happiness; but perceiving all the barriers that divided us, I understood the vastness of their pettiness, and these difficulties terrified me more than the prospect of


Louis Lambert
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Count of Monte Cristo by Alexandre Dumas:

the house and half the garden, and building a wall between the garden and the workshops, had let them upon lease with the pavilions at the bottom of the garden. So that for a trifling sum he was as well lodged, and as perfectly shut out from observation, as the inhabitants of the finest mansion in the Faubourg St. Germain. The breakfast-room was finished in oak; the salon in mahogany, and the furnishings were of blue velvet; the bedroom was in citronwood and green damask. There was a study for Emmanuel, who never studied, and a music-room for Julie, who never played. The whole of the second story was set apart for Maximilian; it was


The Count of Monte Cristo