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Today's Stichomancy for Alyssa Milano

The first excerpt represents the past or something you must release, and is drawn from Alcibiades I by Plato:

When regarded in relation to the arts which they practise they are even further removed from self-knowledge, for they only know the belongings of the body, which minister to the body.

ALCIBIADES: That is true.

SOCRATES: Then if temperance is the knowledge of self, in respect of his art none of them is temperate?


SOCRATES: And this is the reason why their arts are accounted vulgar, and are not such as a good man would practise?

ALCIBIADES: Quite true.

SOCRATES: Again, he who cherishes his body cherishes not himself, but what

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Pathology of Lying, Etc. by William and Mary Healy:

importance. It was always easy to get a little variation upon visual tests and the like, however. Weight 130; height 5 ft. 1 in. Color good. Head notably well shaped with broad high forehead. Strength good. Very normal development in all ways.

Most important to note as bearing on her social career was the fact that Inez was possessed of markedly strong, regular, pleasant features, including a good set of teeth well cared for, and an unusually firm chin. In attitude and expression she seemed to give complete proof of great strength of will and character. Her face suggested both frankness and firmness. When with quiet force and dignity asserting her desire for education

The third excerpt represents the future or something you must embrace, and is drawn from Reminiscences of Tolstoy by Leo Tolstoy:

"As soon as I remembered that, she went where I wanted her to, and did everything she had to. You would think a bonnet is a small affair, but everything depended on that bonnet." As I recall this conversation, I feel sure that my father was talking about that scene in "Anna Karénina" where Anna went to see her son. Although in the final form of the novel nothing is said in this scene either about a bonnet or a mirror,--nothing is mentioned but a thick black veil,--still, I imagine that in its original form, when he was working on the passage, my father may have brought Anna up to the mirror, and made her straighten her