| The first excerpt represents the past or something you must release, and is drawn from Songs of Travel by Robert Louis Stevenson: Breathe war on wolves and rival flocks,
A pious outlaw on the rocks
Of God and morning; and when time
Shall bow, or rivals break me, climb
Where no undubbed civilian dares,
In my war harness, the loud stairs
Of honour; and my conqueror
Hail me a warrior fallen in war.
Vailima.
XXXIX - TROPIC RAIN
AS the single pang of the blow, when the metal is mingled well,
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Call of the Canyon by Zane Grey: His loving, bearish onslaught and his words quite silenced Carley. How at
critical moments he always said the thing that hurt her or inhibited her!
She essayed a smile as she drew back from him.
"It's sure good of you," he said, taking the basket. "I was thinking I'd be
through work sooner today, and was sorry I had not made a date with you.
Come, we'll find a place to sit."
Whereupon he led her back under the trees to a half-sunny, half-shady bench
of rock overhanging the stream. Great pines overshadowed a still, eddying
pool. A number of brown butterflies hovered over the water, and small trout
floated like spotted feathers just under the surface. Drowsy summer
enfolded the sylvan scene.
The Call of the Canyon |
The third excerpt represents the future or something you must embrace, and is drawn from Danny's Own Story by Don Marquis: daughter. Earl's daughters is the worst fur leaving
you out in baskets, going by what Martha said.
It is a kind of a habit with them, fur they is awful
proud people. But it was a lucky way to start
life, from all she said, that basket way. There
was Moses was left out that way, and when he
growed up he was made a kind of a president of
the hull human race, the same as Ruzevelt, and
figgered out the twelve commandments. Martha
would of give anything if she could of only been
found in a basket like me, I could see that. But
|
