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Today's Stichomancy for Ashton Kutcher

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Dark Lady of the Sonnets by George Bernard Shaw:

_The Lady wakes; starts; and nearly faints. He catches her on his arm._

THE LADY. Where am I? What art thou?

THE MAN. I cry your mercy. I have mistook your person all this while. Methought you were my Mary: my mistress.

THE LADY. _[outraged]_ Profane fellow: how do you dare?

THE MAN. Be not wroth with me, lady. My mistress is a marvellous proper woman. But she does not speak so well as you. "All the perfumes of Arabia"! That was well said: spoken with good accent and excellent discretion.

THE LADY. Have I been in speech with you here?

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Melmoth Reconciled by Honore de Balzac:

"What next? Only think of your hearing music now!"

"Heavenly music!" he went on. "The sounds seem to come from above."

"What? You have always refused to give me a box at the Italiens because you could not abide music, and are you turning music-mad at this time of day? Mad--that you are! The music is inside your own noddle, old addle-pate!" she went on, as she took his head in her hands and rocked it to and fro on her shoulder. "Tell me now, old man; isn't it the creaking of the wheels that sings in your ears?"

"Just listen, Naqui! If the angels make music for God Almighty, it must be such music as this that I am drinking in at every pore, rather than hearing. I do no know how to tell you about it; it is as sweet as

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Prince Otto by Robert Louis Stevenson:

a neglect of military duty. To tell you the open truth, your Highness, I was the worse of drink; it's a thing I never do now,' he added, taking out his glass. 'But a man, you see, who has really tasted the defects of his own character, as I have, and has come to regard himself as a kind of blind teetotum knocking about life, begins to learn a very different view about forgiveness. I will talk of not forgiving others, sir, when I have made out to forgive myself, and not before; and the date is like to be a long one. My father, the Reverend Alexander Gordon, was a good man, and damned hard upon others. I am what they call a bad one, and that is just the difference. The man who cannot forgive any mortal thing is a

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Voyage to Abyssinia by Father Lobo:

orders of the Emperor, and of suppressing any insurrection that might be raised, to prevent those alterations in religion which they were designed to promote: a farther view in the choice of so warlike a deputy was that a stop might be put to the inroads of the Galles, who had killed one viceroy, and in a little time after killed this.

It was our custom to meet together every year about Christmas, not only that we might comfort and entertain each other, but likewise that we might relate the progress and success of our missions, and concert all measures that might farther the conversion of the inhabitants. This year our place of meeting was the Emperor's camp,