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Today's Stichomancy for Avril Lavigne

The first excerpt represents the past or something you must release, and is drawn from The Europeans by Henry James:

"You are too fantastic."

"Ah," cried Felix, "that 's a license to say everything! Gertrude, I adore you!"


Charlotte and Mr. Brand had not returned when they reached the house; but the Baroness had come to tea, and Robert Acton also, who now regularly asked for a place at this generous repast or made his appearance later in the evening. Clifford Wentworth, with his juvenile growl, remarked upon it.

"You are always coming to tea nowadays, Robert," he said. "I should think you had drunk enough tea in China."

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Georgics by Virgil:

Too soon to die on his untimely pyre. What of the spotted ounce to Bacchus dear, Or warlike wolf-kin or the breed of dogs? Why tell how timorous stags the battle join? O'er all conspicuous is the rage of mares, By Venus' self inspired of old, what time The Potnian four with rending jaws devoured The limbs of Glaucus. Love-constrained they roam Past Gargarus, past the loud Ascanian flood; They climb the mountains, and the torrents swim; And when their eager marrow first conceives

The third excerpt represents the future or something you must embrace, and is drawn from Edingburgh Picturesque Notes by Robert Louis Stevenson:

war-ship is given over to the rats. We are already a far way from the days when powdered heads were plentiful in these alleys, with jolly, port-wine faces underneath. Even in the chief thoroughfares Irish washings flutter at the windows, and the pavements are encumbered with loiterers.

These loiterers are a true character of the scene. Some shrewd Scotch workmen may have paused on their way to a job, debating Church affairs and politics with their tools upon their arm. But the most part are of a different order - skulking jail-birds; unkempt, bare-foot