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Today's Stichomancy for Barack Obama

The first excerpt represents the past or something you must release, and is drawn from Vendetta by Honore de Balzac:

eyes and said no more.

Already a septuagenarian, tall, withered, pale, and wrinkled, the baroness exactly resembled those old women whom Schnetz puts into the Italian scenes of his "genre" pictures. She was so habitually silent that she might have been taken for another Mrs. Shandy; but, occasionally, a word, look, or gesture betrayed that her feelings still retained all the vigor and the freshness of their youth. Her dress, devoid of coquetry, was often in bad taste. She usually sat passive, buried in a low sofa, like a Sultana Valide, awaiting or admiring her Ginevra, her pride, her life. The beauty, toilet, and grace of her daughter seemed to have become her own. All was well with

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Maggie: A Girl of the Streets by Stephen Crane:

merriment, pointed a grimy forefinger in Pete's direction.

"Say, Jimmie," demanded he, "what deh hell is dat behind deh bar?"

"Damned if I knows," replied Jimmie. They laughed loudly. Pete put down a bottle with a bang and turned a formidable face toward them. He disclosed his teeth and his shoulders heaved restlessly.

"You fellers can't guy me," he said. "Drink yer stuff an' git out an' don' make no trouble."

Instantly the laughter faded from the faces of the two men and expressions of offended dignity immediately came.


Maggie: A Girl of the Streets
The third excerpt represents the future or something you must embrace, and is drawn from The Passionate Pilgrim by William Shakespeare:

Like a green plum that hangs upon a tree, And falls, through wind, before the fall should he.

I weep for thee, and yet no cause I have; For why thou left'st me nothing in thy will: And yet thou left'st me more than I did crave; For why I craved nothing of thee still: O yes, dear friend, I pardon crave of thee, Thy discontent thou didst bequeath to me.

XI.

Venus, with young Adonis sitting by her Under a myrtle shade, began to woo him: