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Today's Stichomancy for Ben Affleck

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Vision Splendid by William MacLeod Raine:

Japanese liner rose black out of the gray fog shadow. But the freighters, the coasters, tramps that went hither and thither over the earth wherever fat cargoes lured them--they were either swallowed in the mist or shadowed to a ghost-like wraith of themselves so tenuous that all detail was lost in the haze.

Jeff leaned on a pile and let his imagination people the harbor with the wandering children of the earth who had been drawn from all its seafaring corners to this Mecca of trade. He knew that here were swarthy little Japanese with teas and silks, dusky Kanakas with copra, and Alaskan liners carrying gold and returning miners. There would be brigs from Buenos Ayres and schooners that

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Reminiscences of Tolstoy by Leo Tolstoy:

My father had already been there before his marriage in 1862, and afterward by the advice of Dr. Zakháryin, who attended him. He took the kumiss-cure in 1871 and 1872, and at last, in 1873, the whole family went there. At that time my father had bought several hundred acres of cheap Bashkir lands in the district of Buzulúk, and we went to stay on our new property at a khutor, or farm. In Samara we lived on the farm in a tumble-down wooden house, and beside us, in the steppe, were erected two felt kibitkas, or Tatar frame tents, in which [illustration omitted] [page intentionally blank]

our Bashkir, Muhammed

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Chessmen of Mars by Edgar Rice Burroughs:

away with his hand the man rose and backed off, searching for something with which to strike a harder blow. Again the rat charged and as Turan stepped quickly back to avoid the menacing jaws, something seemed to jerk suddenly upon his right ankle, and as he drew his left foot back to regain his equilibrium his heel caught upon a taut chain and he fell heavily backward to the floor just as the rat leaped upon his breast and sought his throat.

The Martian rat is a fierce and unlovely thing. It is many-legged and hairless, its hide resembling that of a newborn mouse in repulsiveness. In size and weight it is comparable to a large


The Chessmen of Mars
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lesser Hippias by Plato:

other dialogues of Plato; (2) that the sophistry of Socrates is more palpable and unblushing, and also more unmeaning; (3) that many turns of thought and style are found in it which appear also in the other dialogues:--whether resemblances of this kind tell in favour of or against the genuineness of an ancient writing, is an important question which will have to be answered differently in different cases. For that a writer may repeat himself is as true as that a forger may imitate; and Plato elsewhere, either of set purpose or from forgetfulness, is full of repetitions. The parallelisms of the Lesser Hippias, as already remarked, are not of the kind which necessarily imply that the dialogue is the work of a forger. The parallelisms of the Greater Hippias with the other