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Today's Stichomancy for Ben Affleck

The first excerpt represents the past or something you must release, and is drawn from The First Men In The Moon by H. G. Wells:

some softish sort of sweet with liquid in it! He broke right in! He squelched and splashed. It was like hitting a damp toadstool. The flimsy body went spinning a dozen yards, and fell with a flabby impact. I was astonished. I was incredulous that any living thing could be so flimsy. For an instant I could have believed the whole thing a dream.

Then it had become real and imminent again. Neither Cavor nor the other Selenites seemed to have done anything from the time when I had turned about to the time when the dead Selenite hit the ground. Every one stood back from us two, every one alert. That arrest seemed to last at least a second after the Selenite was down. Every one must have been taking the thing in. I seem to remember myself standing with my arm half retracted,

The First Men In The Moon
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Persuasion by Jane Austen:

or relinquishing their comforts in a way not to be borne.

There was only a small part of his estate that Sir Walter could dispose of; but had every acre been alienable, it would have made no difference. He had condescended to mortgage as far as he had the power, but he would never condescend to sell. No; he would never disgrace his name so far. The Kellynch estate should be transmitted whole and entire, as he had received it.

Their two confidential friends, Mr Shepherd, who lived in the neighbouring market town, and Lady Russell, were called to advise them; and both father and daughter seemed to expect that something should be struck out by one or the other to remove their embarrassments

The third excerpt represents the future or something you must embrace, and is drawn from The Communist Manifesto by Karl Marx:

family ties among the proletarians are torn asunder, and their children transformed into simple articles of commerce and instruments of labour.

But you Communists would introduce community of women, screams the whole bourgeoisie in chorus.

The bourgeois sees in his wife a mere instrument of production. He hears that the instruments of production are to be exploited in common, and, naturally, can come to no other conclusion than that the lot of being common to all will likewise fall to the women.

He has not even a suspicion that the real point is to do away

The Communist Manifesto