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Today's Stichomancy for Bill O'Reilly

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Another Study of Woman by Honore de Balzac:

in silence, for no one dared question him; but he, understanding our curiosity, pointed to his breast with the forefinger of his right hand, and, waving the left in the direction of the fire, he said, '/Son'io/.'

"We all walked on without saying a word to him."

"There is nothing more terrible than the revolt of a sheep," said de Marsay.

"It would be frightful to let us leave with this horrible picture in our memory," said Madame de Montcornet. "I shall dream of it----"

"And what was the punishment of Monsieur de Marsay's 'First'?" said Lord Dudley, smiling.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Gobseck by Honore de Balzac:

the power of their pleading has made me shudder. Sublime actors such as these play for me, for an audience of one, and they cannot deceive me. I can look into their inmost thoughts, and read them as God reads them. Nothing is hidden from me. Nothing is refused to the holder of the purse-strings to loose and to bind. I am rich enough to buy the consciences of those who control the action of ministers, from their office boys to their mistresses. Is not that power?--I can possess the fairest women, receive their softest caresses; is not that Pleasure? And is not your whole social economy summed up in terms of Power and Pleasure?

" 'There are ten of us in Paris, silent, unknown kings, the arbiters


Gobseck
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Deputy of Arcis by Honore de Balzac:

word, their greatness and their weakness,--he understood it all marvellously well; and, like an ever-indulgent providence, he lent them his aid whenever they asked for it. But in order to conceal from his dignified and more valuable clients whatever might be compromising in the /clientele/ he really preferred, Desroches had his days of domesticity when he was husband and father, especially on Sundays. He appeared in the Bois de Boulogne in a modest caleche beside his wife (whose ugliness revealed the size of her /dot/), with three children on the front seat, who were luckless enough to resemble their mother. This family picture, these virtuous Dominical habits, recalled so little the week-day Desroches, dining in cafes with all the male and

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Narrative of the Life of Frederick Douglass: An American Slave by Frederick Douglass:

that I should find friends there, and that I should be free. I pretended not to be interested in what they said, and treated them as if I did not under- stand them; for I feared they might be treacherous. White men have been known to encourage slaves to escape, and then, to get the reward, catch them and return them to their masters. I was afraid that these seemingly good men might use me so; but I never- theless remembered their advice, and from that time I resolved to run away. I looked forward to a time at which it would be safe for me to escape. I was


The Narrative of the Life of Frederick Douglass: An American Slave