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Today's Stichomancy for Bob Dylan

The first excerpt represents the past or something you must release, and is drawn from Proposed Roads To Freedom by Bertrand Russell:

When a man's training has been completed, if he is possessed of really great abilities, he will do his best work if he is completely free to follow his bent, creating what seems good to him, regardless of the judgment of ``experts.'' At present this is only possible for two classes of people: those who have private means, and those who can earn a living by an occupation that does not absorb their whole energies. Under Socialism, there will be no one with private means, and if there is to be no loss as regards art and science, the opportunity which now

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Ruling Passion by Henry van Dyke:

villages; decidedly a false god, but sufficiently powerful) arranged a surprise for the travelling lawyer. It came out at Three Rivers.

He arrived about nightfall, and slept at the hotel, feeling curiously depressed. The next morning he was worse; but he was a resolute and industrious dog, after his own fashion. So he hired a buggy and drove out through the mud to Pierre's place. They heard the wagon stop at the gate, and went out to see who it was.

The man was hardly recognizable: face pale, lips blue, eyes dull, teeth chattering.

"Get me out of this," he muttered. "I am dying. God's sake, be quick!"

The third excerpt represents the future or something you must embrace, and is drawn from Gambara by Honore de Balzac:

/imitation/, with a suggestion of the Moorish coloring of Spain. Here the terrifying music is softened to gentler hues, like a storm dying away, and ends in the florid prettiness of a duet wholly unlike anything that has come before it. After the turmoil of a camp full of errant heroes, we have a picture of love. Poet! I thank thee! My heart could not have borne much more. If I could not here and there pluck the daisies of a French light opera, if I could not hear the gentle wit of a woman able to love and to charm, I could not endure the terrible deep note on which Bertram comes in, saying to his son: '/Si je la permets/!' when Robert had promised the princess he adores that he will conquer with the arms she has bestowed on him.


Gambara