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Today's Stichomancy for Brad Pitt

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Girl with the Golden Eyes by Honore de Balzac:

either side there was an equality of strength, agility, and suppleness. To end the combat Paquita threw between the legs of her lover a cushion which made him fall, and profited by the respite which this advantage gave to her, to push the button of the spring which caused the bell to ring. Promptly the mulatto arrived. In a second Cristemio leaped on De Marsay and held him down with one foot on his chest, his heel turned towards the throat. De Marsay realized that, if he struggled, at a single sign from Paquita he would be instantly crushed.

"Why did you want to kill me, my beloved?" she said. De Marsay made no reply.


The Girl with the Golden Eyes
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Men of Iron by Howard Pyle:

body still more forward. In the instant of meeting, with almost the blindness of instinct, he dropped the point of his spear against the single red flower-de-luce in the middle of the on-coming shield. There was a thunderous crash that seemed to rack every joint, he heard the crackle of splintered wood, he felt the momentary trembling recoil of the horse beneath him, and in the next instant had passed by. As he checked the onward rush of his horse at the far end of the course, he heard faintly in the dim hollow recess of the helm the loud shout and the clapping of hands of those who looked on, and found himself gripping with nervous intensity the butt of a broken spear, his mouth clammy


Men of Iron
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from House of Seven Gables by Nathaniel Hawthorne:

be watching behind the elm-tree, with intent to take her life. Stretching out her long, lank arm, she put a paper of pearl buttons, a jew's-harp, or whatever the small article might be, in its destined place, and straightway vanished back into the dusk, as if the world need never hope for another glimpse of her. It might have been fancied, indeed, that she expected to minister to the wants of the community unseen, like a disembodied divinity or enchantress, holding forth her bargains to the reverential and awe-stricken purchaser in an invisible hand. But Hepzibah had no such flattering dream. She was well aware that she must ultimately come forward, and stand revealed in her proper individuality; but,


House of Seven Gables
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Schoolmistress and Other Stories by Anton Chekhov:

in a minute I should be drenched to the skin and might be struck by lightning.

Riding swiftly in a hurricane when one is breathless with the wind, and feels like a bird, thrills one and puts one's heart in a flutter. By the time we rode into our courtyard the wind had gone down, and big drops of rain were pattering on the grass and on the roofs. There was not a soul near the stable.

Pyotr Sergeyitch himself took the bridles off, and led the horses to their stalls. I stood in the doorway waiting for him to finish, and watching the slanting streaks of rain; the sweetish, exciting scent of hay was even stronger here than in the fields;


The Schoolmistress and Other Stories