|The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Island Nights' Entertainments by Robert Louis Stevenson:
cocked, spying all about me like a hunter, fully expecting to see a
handsome young woman sitting somewhere in the bush, and fully
determined (if I did) to try her with a charge of duck-shot. And
sure enough, I had not gone far when I met with a queer thing. The
wind came on the top of the wood in a strong puff, the leaves in
front of me burst open, and I saw for a second something hanging in
a tree. It was gone in a wink, the puff blowing by and the leaves
closing. I tell you the truth: I had made up my mind to see an
AITU; and if the thing had looked like a pig or a woman, it
wouldn't have given me the same turn. The trouble was that it
seemed kind of square, and the idea of a square thing that was
|The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from From London to Land's End by Daniel Defoe:
(call it as you please), we come into a large country without many
towns in it of note, but very well furnished with gentlemen's
seats, and a little higher up with tin-works.
The sea making several deep bays here, they who travel by land are
obliged to go higher into the country to pass above the water,
especially at Trewardreth Bay, which lies very broad, above ten
miles within the country, which passing at Trewardreth (a town of
no great note, though the bay takes its name from it), the next
inlet of the sea is the famous firth or inlet called Falmouth
Haven. It is certainly, next to Milford Haven in South Wales, the
fairest and best road for shipping that is in the whole isle of
|The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Shadow out of Time by H. P. Lovecraft:
life, pictures,and reading, and arranged in fantastically novel
forms by the unchecked caprices of sleep.
For some time I accepted
the visions as natural, even though I had never before been an
extravagant dreamer. Many of the vague anomalies, I argued, must
have come from trivial sources too numerous to track down; while
others seemed to reflect a common text book knowledge of the plants
and other conditions of the primitive world of a hundred and fifty
million years ago - the world of the Permian or Triassic age.
In the course of some months, however, the element of terror
did figure with accumulating force. This was when the dreams began
Shadow out of Time
|The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Secret Adversary by Agatha Christie:
give up hope."
"And you really will help us? There, Julius! He didn't want me
to come," she added by way of explanation.
"H'm," said the lawyer, favouring Julius with another keen
glance. "And why was that?"
"I reckoned it would be no good worrying you with a petty little
business like this."
"I see." He paused a moment. "This petty little business, as
you call it, bears directly on a very big business, bigger
perhaps than either you or Miss Tuppence know. If this boy is
alive, he may have very valuable information to give us.