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Today's Stichomancy for Brittany Murphy

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Flame and Shadow by Sara Teasdale:

Time will fly past us like leaves flying, We shall not heed, for we shall be Beyond living, beyond dying, Knowing and known unchangeably.

VII

In Spring, Santa Barbara

I have been happy two weeks together, My love is coming home to me, Gold and silver is the weather And smooth as lapis is the sea.

The earth has turned its brown to green

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Arizona Nights by Stewart Edward White:

That day furnished us with a demonstration of what Arizona horses can do. Our way led first through a canon-bed filled with rounded boulders and rocks, slippery and unstable. Big cottonwoods and oaks grew so thick as partially to conceal the cliffs on either side of us. The rim-rock was mysterious with caves; beautiful with hanging gardens of tree ferns and grasses growing thick in long transverse crevices; wonderful in colour and shape. We passed the little canons fenced off by the rustlers as corrals into which to shunt from the herds their choice of beeves.

The Cattleman shook his head at them. "Many a man has come from

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Redheaded Outfield by Zane Grey:

When Deerfoot looked that way it meant the pitcher was dangerous. Deerfoot made no effort to swing at the next ball, and was promptly called out on strikes.

I was second at bat, and went up with some reluctance. I happened to be leading the league in both long distance and safe hitting, and I doted on speed. But having stopped many mean in- shoots with various parts of my anatomy, I was rather squeamish about facing backwoods yaps who had no control.


The Redheaded Outfield
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Great Big Treasury of Beatrix Potter by Beatrix Potter:

birds were so very much obliged to dear Mrs. Tiggy-winkle.

So that at the bottom of the hill when they came to the stile, there was nothing left to carry except Lucie's one little bundle.

Lucie scrambled up the stile with the bundle in her hand; and then she turned to say "Good-night," and to thank the washer-woman.--But what a VERY odd thing! Mrs. Tiggy-winkle