The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Somebody's Little Girl by Martha Young: lady's dress, just a tiny pinch of it.
Yes, it was very crisp.
Then the lady turned and looked at Bessie Bell.
Then Bessie Bell was still more surprised, for there was something
white under her veil. Not white all round the face like that Sister
Helen Vincula wore, but soft crinkly white just over the lady's soft
yellow hair.
Also on the breast of her black dress was a cross, but not white
like the cross that Sister Helen Vincula wore. No, this cross was
shining very brightly, and it was very golden in the sunlight,--and--
somehow, somehow,--Bessie Bell knew just how that cross felt,--she
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Myths and Myth-Makers by John Fiske: instead of being exposed to the risks of financial
speculation, the divining-rod was employed by persons covetous
of their neighbours' wealth. If Boulatruelle had lived in the
sixteenth century, he would have taken a forked stick of hazel
when he went to search for the buried treasures of Jean
Valjean. It has also been applied to the cure of disease, and
has been kept in households, like a wizard's charm, to insure
general good-fortune and immunity from disaster.
As we follow the conception further into the elf-land of
popular tradition, we come upon a rod which not only points
out the situation of hidden treasure, but even splits open the
Myths and Myth-Makers |